Actor: Florian Bartholomäi

The Reader

The story of Michael Berg, a German lawyer who, as a teenager in the late 1950s, had an affair with an older woman, Hanna, who then disappeared only to resurface years later as one of the defendants in a war crimes trial stemming from her actions as a concentration camp guard late in the war. He alone realizes that Hanna is illiterate and may be concealing that fact at the expense of her freedom.

Ruby Red

Gwendolyn Shepherd is a normal 16-year-old, but her family holds a secret: A time-travel gene is expressed in the clan inherited, but not every member of the family is blessed with. Everyone is certain that Gwen's cousin Charlotte has the gene. However, someday Gwendolyn suddenly finds herself in London at the end of the 19th century and realizes that it is her, who was born a time traveler. While she is not very enthusiastic about it, she will do everything possible to solve the ancient mysteries of the red ruby.

Emerald Green

Emerald Green is the stunning conclusion to Kerstin Gier's Ruby Red Trilogy, picking up where Sapphire Blue left off, reaching new heights of intrigue and romance as Gwen finally uncovers the secrets of the time-traveling society and learns her fate.

Never Look Away

German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the GDR regime.

Sapphire Blue

Gwen has just discovered, that she's the final member of the secret time-traveling Circle of Twelve. Now she has to juggle with constant trips to the past, her relationships with Gideon and figuring out dark secrets surrounding the Circle.

Adidas Vs. Puma: The Brother's Feud

Two brothers start a sportswear company in the 1920s, hoping to make the best shoes in the world. Their relationship deteriorates until they become bitter rivals.

The Most Beautiful Couple

While two young teachers are spending their summer holiday on the Mediterranean coast they are overwhelmed by a sudden attack. Back home, they try to deal with the trauma in their own ways until a surprising encounter changes everything.

Dreileben: Beats Being Dead

Johannes is a loner who wants a better job. And then he meets Ana. Ana is attractive and even though her job is even less prestigious than Johannes's, he falls for her. And then she quits her job to be with him (and be dependent on him) and suddenly things become much more serious. She has fallen for him. But does he still love her? Did he ever? Enter Sarah. Sarah is the daughter of Johannes's boss. He and she have a past. Will Sarah and what she represents be his future, and Ana just a memory, something he'd like to erase?

Fashion Victims

At 52, traveling salesman Wolfgang Zenker (Edgar Selge) is in old school territory: he peddles the company's classic clothing line to boutiques that cater to women over 35. When Wolfi loses his drivers license in his brand-new Mercedes but can't afford to lose the season's sales because his frustrated wife (Franziska Walser) desperately wants a new bathroom, their son's vacation plans take a back seat as Karsten (Florian Bartholomäi) is forced to making sales rounds with his father instead of celebrating his high school graduation in Spain. Also making the rounds in small town southern Germany is successful and attractive sales rival Steven Brookmüller (Roman Knizka), 33. As the men's paths cross, long-hidden secrets are revealed and things come to a hilarious head.

Sie sagt. Er sagt.

In a criminal trial at the Berlin district court, in which the accusation of rape is being heard, it is one statement against the other - a seemingly insoluble dilemma, both legally and humanly, that has enormous explosive power. Because beyond the professional and private future of two people, it is about nothing less than the values and prejudices that define us as a society. It is a case of high public attention: the well-known TV presenter Katharina Schlüter and the industrialist Christian Thiede have had a secret affair that has lasted for years, and now they are sitting opposite each other in the courtroom as hostile parties. On the witness stand, Schlüter describes how what was initially consensual sex in Thiede's apartment turned into rape. But are circumstantial evidence sufficient? Experts and witnesses are questioned, and an unexpected turn of events doesn't make it any easier for the court to decide on credibility and truth.