Actor: Ash Adams

A Nightmare on Elm Street

Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...

Once Fallen

When Chance (Brian Presley) returns home after five years in jail, he is determined to escape his past, start a new life and make peace with his father, (Ed Harris, Golden Globe® winner), who is the head of the Aryan Brotherhood prison gang and serving a life sentence for murder. Upon his release, his dreams of a crime-free future begin to disintegrate when he is forced to assume his best friend's outrageous debt to a local mobster. Despite being thrust back into a world of organized fighting, drug dealing and ties to corrupt police agents, Chance falls in love with Pearl (Academy Award® nominee Taraji P. Henson) and the prospect of living a normal life seems almost within reach. But will he be able to escape the crimes of his father and his past?

Puppet Master 4

Blade, Tunneler, and Pinhead go toe-to-toe with a team of terrifying, gremlin-like creatures known as "Totems" that are sent by the Egyptian demon Sutekh to recapture the magic stolen by Toulon.

The Stranger

In this modern retelling of High Plains Drifter, a female biker rides into a desert town to seek revenge on "Angel" and his ruthless gang.

An L.A. Minute

Best-selling author Ted Gold faces a moral dilemma when Velocity, an avant-garde performance artist and the living embodiment of integrity, rocks his 1% world.

The Arc

Tregenza’s second feature takes the form of a highly metaphorical road movie, as the isolated protagonist (Jason Adams) drifts from gainful employment in the East (as an arc welder in Baltimore) to a spiritual apotheosis in the West. “The formal treatment of the material ranges from rapid montage (in the opening sequence) to more conventional editing to lengthy takes without any apparent consistent pattern. Tregenza remains a master cinematographer throughout, and the various ellipses between sequences are often as provocative as the sequences themselves” (Jonathan Rosenbaum).