Actor: Mathilde Mosnier
Known for
The Romance of Astrea and Celadon
In an enchanted forest, back in the time of the Druids, the shepherd Céladon and the shepherdess Astrée share a pure and chaste love. Fooled by a suitor, Astrée dismisses Céladon, who throws himself into a river out of despair. She thinks he's dead, but he's been secretly rescued by some nymphs. Faithful to the promise he made to Astrée to never appear before her again, Céladon must overcome many obstacles to break the curse. Mad with love and despair, coveted by the nymphs, surrounded by rivals, and obliged to disguise himself as a woman to be near the one he loves, will he manage to make himself known without breaking his oath? A romance filled with doubt, hazards, and delicious temptations.
In an enchanted forest, back in the time of the Druids, the shepherd Céladon and the shepherdess Astrée share a pure and chaste love. Fooled by a suitor, Astrée dismisses Céladon, who throws himself into a river out of despair. She thinks he's dead, but he's been secretly rescued by some nymphs. Faithful to the promise he made to Astrée to never appear before her again, Céladon must overcome many obstacles to break the curse. Mad with love and despair, coveted by the nymphs, surrounded by rivals, and obliged to disguise himself as a woman to be near the one he loves, will he manage to make himself known without breaking his oath? A romance filled with doubt, hazards, and delicious temptations.
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6.1
Adieu Vénus
Beauty, a virgin Aphrodite-Venus, Ideal of a woman, is supported in order to be able to return from where she came, to her origin, pure, before the Acropolis, having taken the wrong path, via Venice, having been deviated - as tragically revealed by the child (son to whom and from whom?) Given to him by a Mother, such abandonment is given to her - by a man with multiple figures, evoking a non-antagonist Oedipus-Christian, an opponent , wrestler, to the world, himself supported by Epigone, both at their greatest risk.
Beauty, a virgin Aphrodite-Venus, Ideal of a woman, is supported in order to be able to return from where she came, to her origin, pure, before the Acropolis, having taken the wrong path, via Venice, having been deviated - as tragically revealed by the child (son to whom and from whom?) Given to him by a Mother, such abandonment is given to her - by a man with multiple figures, evoking a non-antagonist Oedipus-Christian, an opponent , wrestler, to the world, himself supported by Epigone, both at their greatest risk.
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Je t'aime, filme-moi !
This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
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