Actor: Guy Decomble

The 400 Blows

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

Jour de Fête

Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.

Bob le Flambeur

In Paris, Bob Montagne is practically synonymous with gambling -- and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.

Maigret Sets a Trap

Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.

Maigret Sees Red

Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...

The Cousins

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

The Crime of Monsieur Lange

A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police's description: his name is Amedee Lange, and he murdered somebody in Paris. Lange was an employee in a printing works. His boss was a real bastard, swindling every one, seducing female workers... One day he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. What then made Lange a killer?

The Old Guard

Three friends leave their village for a retirement home travelling the countryside

The Aristocrats

A novel by Michel De Saint Pierre was the source for Les Aristocrates. Pierre Fresnay stars an aging Marquis, who tries his best to uphold the traditions of nobility in an ever-changing world. The Marquis' children prefer the trappings of modern society and pop culture and regard their father as a relic. This cultural clash nearly results in tragedy when two of the Marquis' offspring substitute recklessness for common sense.

The Magnificent Tramp

Bum Archimède wants to spend the winter in prison, but to get there proves not to be that easy.

Guinguette

Renée dite Guinguette, a former prostitute, has earned enough money on the Parisian sidewalk to buy her dream: a waterfront guinguette. Her new lover, Marco, offers her the use of an unused adjoining barn to store the second-hand cars he trades in. But the "used" cars are actually stolen, and the charming Marco is a bad boy. After a few deaths and various vicissitudes, love finally triumphs.

We Are All Murderers

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.