Actor: Kadir Çermik

The Wild Pear Tree

Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.

10 Days of a Bad Man

Battered, broken and bereaved, a private investigator must muscle his way through a tangle of lies to uncover the truth behind a mansion murder.

10 Days of a Good Man

A lawyer turned private investigator takes on a missing person case, propelling him on an unexpected and life-altering quest.

Ivy

After the owner's bankruptcy, the crew is stranded on a freighter for months. Dealing with the stress of isolation, seafarers gradually surrender to madness and terror.

The Bank of Broken Hearts

Based on William Shakespeare's Romeo and Juliet, set in Istanbul, the tragic story of three heroes chasing an unlikely dream, running towards their sad end in a Shakespearean manner.

Valley of the Wolves: Homeland

Polat Alemdar Erhan and Cahit are yet again on the front lines only to discover a military coup attempt in Turkey.

Watchtower

Haunted by his dark past, a man takes a job as a fire warden in a remote tower in the wilderness, and is inexorably drawn towards a young woman with a terrible secret of her own.

Inflame

Hasret has been seeing the same nightmare for some time, but she keeps living unaware that what she sees is actually remembering. A 30-year-old woman who works in a News Channel, living alone in the flat left by her musician parents who died in a car crash twenty years ago. Is it? The question creeps into her mind, and then (or maybe even before) her life through recurring nightmares: Is it possible that her parents did not die in a car crash?

Put to the Things

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.