Actor: Ken Loach

foto attore
Birthday: 1936-06-17
Born in: Nuneaton, Warwickshire, England, UK
Biography: Kenneth Charles Loach (born 17 June 1936; Nuneaton) is a British film director, screenwriter and producer. His socially critical directing style is evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966), and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Kenneth Charles Loach was born on 17 June 1936 in Nuneaton, Warwickshire, the son of Vivien (née Hamlin) and John Loach. He attended King Edward VI Grammar School and at the age of 19 went to serve in the Royal Air Force. He read law at St Peter's College, Oxford and graduated with a third-class degree. As a member of the Oxford University Experimental Theatre Club he directed an open-air production of Bartholomew Fair for the Shakespeare Memorial Theatre, Stratford, in 1959 (when he also took the role of the shady horse-dealer Dan Jordan Knockem). After Oxford, he began a career in the dramatic arts. Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016), received the Palme d'Or at the Cannes Film Festival, making him one of only nine filmmakers to win the award twice.

Known for

Versus: The Life and Films of Ken Loach

A surprisingly candid behind-the-scenes account of the career of Ken Loach, one of Britain’s most celebrated and controversial filmmakers, as he prepares to release his final major film I, Daniel Blake.
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6.6
Versus%3A+The+Life+and+Films+of+Ken+Loach
Versus: The Life and Films of Ken Loach

2016

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Cannes Uncut

A luminary-packed tribute that lifts the curtain on the Cannes Film Festival in its 75th year – for as they say in France, ‘the story of Cannes is the story of cinema’.
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5.8
Cannes+Uncut
Cannes Uncut

2023

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Vittorio D.

A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.
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6.3
Vittorio+D.
Vittorio D.

2009

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Film: The Living Record of Our Memory

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
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8.7
Film%3A+The+Living+Record+of+Our+Memory
Film: The Living Record of Our Memory

2022

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What Do You Know About Me

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
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What+Do+You+Know+About+Me
What Do You Know About Me

2009

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About Cinema

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.
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8.6
About+Cinema
About Cinema

2015

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