Actor: Michitaka Tsutsui

Miss Hokusai

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Midnight Diner

A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.

Kiki's Delivery Service

A young girl named Kiki must leave her home for a year to begin training in witchcraft. She leaves on her broom, but first says goodbye to her friends and family. Kiki then begins her new life with her trusted cat Jiji.

Marmalade Boy

Two sets of parents divorce and marry each other, while their children Miki and Yuu are caught in the middle and start falling for each other.

Our 30-Minute Sessions

College student Sota picks up a cassette tape left behind by musician Aki when he died a year ago. When the tape is played back, Aki takes over Sota's body for just 30 minutes. They share the same body and rush to reunite a band that split up and bring a smile to Aki's girlfriend Kana's face.

KT

This movie is a political/espionage thriller, based on a real kidnapping incident of Korean politician, Kim Dae-Jung.

64: Part 2

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Don't Call it Mystery

One day, a talkative college student with a natural perm, Totonou Kunou (Masaki Suda) visits Hiroshima for an art exhibition, and there meets a teenage girl, Shioji Kariatsumari, who says she is a friend of Garo Inudo (Eita Nagayama). “Would you work for me? Lives and money are at stake. I’m serious.” She offers Totonou a part-time job, which turns out to be related to the succession of an enormous inheritance. Totonou decides to help her out, only to get involved in an inheritance battle of the noble and shady Kariatsumari family, where people have been killed for generations. Multiple dark sides and mysteries of the family are laid out behind the inheritance. What truth is buried there?

For Those We Love

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

The Night Beyond the Tricornered Window

Kosuke Mikado, who works at a bookstore, has been suffering from a peculiar constitution that ghosts can see from an early age. One day, Kosuke was invited by a exorcist, Rihito Hiyakawa, who came to the bookstore and decided to work with him. The two men, who were requested by the detective Hanzawa to investigate the serial murder case that occurred a year ago, eventually found a body, but the body was cursed. While searching for the truth, they often hear the voice of the murderer who committed suicide...

Ballad

Based on the plot of an award-winning Crayon Shin-chan animated movie from 2002, a boy named Shinichi (Takei) does the time-traveling and meets a feared general named Ijiri Matabei (Kusanagi). Ijiri is in love with Princess Ren (Aragaki) who subsequently rejects an arranged marriage to Okura Itakatora (Osawa), a powerful daimyo of northern Kanto. Enraged by the rejection, Okura sends a large army to Ijiri's smaller state and it's up to Shinichi to change their destiny.

Twinkle

Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.