Actor: José «Saza» Sazatornil

The Executioner

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

Dawn Breaks, Which Is No Small Thing

Teodoro, a Spanish engineer working as a professor in the United States, returns to Spain to enjoy a sabbatical year.

...And Give Us Our Daily Sex

A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies. Meanwhile, Albert’s mother is being even naughtier than her precious boy, sneaking off for some extra-marital action while her hair-obsessed husband is at the salon, having his follicles tended to.

The National Shotgun

A catalan manufacturer of intercoms travels to Madrid, accompanied by his mistress, to attend a hunt that he has organized. Its main purpose is to mix with people of high society to improve their business. All seems well until the owner of the farm shows full authority over James, who is the real organizer of the meeting. The celebration is diverse characters who live next to absurd situations.

Everyone Off to Jail

A prison in Valencia hosts an event recognizing political prisoners jailed during Franco’s reign. The reunion proves more raucous than the organizers intended.

¿Qué hacemos con los hijos?

The driver Antonio, boasts of his sons: John, who shares his work as a taxi driver, Luisa, ladies hairdresser, Antonito, studying to be a lawyer, and Paloma, to be a housewife. But Antonio does not know that their children are not exactly as he thinks. The day Antonio finds out, confronts his wife and children and suffers a big disappointment. Since then no one in the family speaks to Antonio, and he believes that it is best to let them see for themselves that they made a mistake, but this does not result, since each will see their problems increased.

Venta por pisos

Four families intend to buy a flat. In one of them, Margarita wants to marry Ernesto, despite his reluctance. The purchase of the flat is a great inconvenience and he uses this to delay the wedding as much as possible.

Year of Enlightment

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

La ciudad no es para mí

Agustin, a widower who lives in a village in Aragon, where he is much loved by all neighbors, is lonely and decides to go to the big city, where his son, a famous doctor, lives with his wife and daughter. Agustineis received by his children with great coolness, as he does not fit in the environment in which they operate. The life of his son, his daughter-in-law, and even the maid is too sad for this simple town man.

Verano 70

Typical Spanish comedy of the seventies set in Benidorm, the famous coastal town of Alicante where numerous families come to spend the summer. It tells the travel arrangements and incidents that occur before arriving to the apartments as well as the return of working husbands to the city, once the families have settled on the beach, and their unsuccessful attempts to flirt while alone

The Beehive

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.