Actor: Brahim Hadjadj

foto attore
Birthday: 1934-01-31
Born in: Médéa, Algeria
Biography: Brahim Hadjadj (إبراهيم حجاج) (January 31, 1934 - March 8, 1996) was an Algerian actor. His career began with the film "The Battle of Algiers" (1966), directed by the Italian Gillo Pontecorvo. The 32-year-old actor plays the leading role, that of the Algerian revolutionary hero Ali Ammar (1930-1957), known under the pseudonym "Ali La Pointe". The film received several awards and nominations including the Golden Lion at the Venice Film Festival in 1966, Pontecorvo received the Oscar for best director in 1979. The success of "The Battle of Algiers" is global, and Brahim Hadjadj becomes the radiant face of Algeria and the country's number one actor. In the minds of all Algerians he becomes "Ali La Pointe", in a film which exposes to the world the abuses of the French colonial army under the cover of "pacification campaigns", previously censored by the French media. Brahim Hadjadj becomes in the middle of the sixties, the rebel hero, glamorous icon of an entire youth who believes that a more egalitarian world is possible. Around the attribution of the role of Ali La Pointe to Brahim Hadjadj, there is a whole mythology, some say that the director Gillo Pontecorvo sitting at the terrace of the Tantonville café in Algiers, saw Hadjadj passing by by chance and offered him the role. Wild casting or not, Gillo Pontecorvo found the naturalness, spontaneity and grace he was looking for in Brahim, for his reality cinema film which he wanted to be as close as possible to a documentary. Brahim Hadjadj goes from shadow to light after "The Battle of Algiers", without any dramatic training and a basic level of school studies, neither prepared nor supervised, he finds himself hounded by the press, bombarded with questions, which according to him, exceeded his cultural level. The actor, overwhelmed by his new status, still lives as before, day by day. Gillo Pontecorvo, thought of him to play the role of the anticolonial revolutionary José Dolores in his new film “Queimada” (1969). Brahim Hadjadj, then without an agent to manage his career and unpunctual, gave rise to serious doubts in the production company which considered him risky for such a substantial project. Brahim Hadjadj unreachable, the production opts for the Colombian actor Evaristo Márquez who shares the poster with the legend Marlon Brando. Brahim continued his career with Luchino Visconti in 1967 in "The Stranger", in 1969 in "L'Opium Et Le Bâton" by Ahmed Rachedi, in the role of Omar, in 1971 in "Patrouille À l'Est" by Amar Laskri, in 1974 Ahmed Rachedi in "The Finger in the Gear", in 1975 Mohammed Lakhdar-Hamina in the cult "Chronique Des Années De Braise", in 1986 he is Si Omar in "The Roaring Years of the Twist" by Mahmoud Zemmouri... In the 90s, in the middle of the dark decade, bomb attacks increased in Algiers and throughout the country, culture was no longer a priority for institutions, and a good number of intellectuals, journalists and artists, threatened, flee the country. The last years of Brahim Hadjadj's life, in the suburbs of the Algerian capital, in the Cherarba district, were difficult. Hadjadj is diagnosed with a brain tumor. While it took time to raise the funds to send him abroad for surgery, he died on March 8, 1996 in Algiers.

Known for

The Battle of Algiers

Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.
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7.9
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The Battle of Algiers

1966

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The Stranger

Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.
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6.9
The+Stranger
The Stranger

1967

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Marxist Poetry: The Making of The Battle of Algiers

To commemorate the fiftieth anniversary of THE BATTLE OF ALGIERS, we revisited our edit of the film and interviews with director Gillo Pontecorvo and producer Saadi Yacef, who discuss the process of representing Algeria's struggle for independence and the challenges of presenting a balanced view of the conflict.
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7.2
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Marxist Poetry: The Making of The Battle of Algiers

2004

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Chronicle of the Years of Fire

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.
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6.3
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Chronicle of the Years of Fire

1975

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Opium and the Stick

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.
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7.5
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Opium and the Stick

1970

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A Propos D'Un Crime

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
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10.0
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A Propos D'Un Crime

1967

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Les Folles Années du Twist

A small town in Algeria, in the years 1960-1962. Two young idle boys and rock fans, Boualem and Salah, try to survive in the turmoil of war, taking great care not to get involved.
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5.5
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Les Folles Années du Twist

1986

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The Empire of Dreams

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…
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10.0
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The Empire of Dreams

1982

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The Outlaws

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.
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8.0
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The Outlaws

1969

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Five Directors On The Battle of Algiers

This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .
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10.0
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Five Directors On The Battle of Algiers

2004

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Patrol in the East

The film traces the story of a patrol of the Algerian National Liberation Army (ALN), whose mission is to transport a prisoner French soldier to the Tunisian border. Through the march of this group of guerrillas we witness the spirit of sacrifice and combativeness of these men from the people. The patrol will be decimated, but a young peasant will take over and complete the mission.
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8.5
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Patrol in the East

1971

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L'Histoire Du Film "La Bataille D'Alger"

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.
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10.0
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L'Histoire Du Film "La Bataille D'Alger"

2018

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