Actor: Franz Welser-Möst

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Known for

Bizet Carmen

Live recording from Oper Zurich, 2008, DVD release 2014. Jonas Kaufmann, 'the Prince of Tenors', appears with international star Vesselina Kasarova in Zürich Opera's starkly palpable staging of Bizet's ever-popular Carmen. The production sees Don José (Kaufmann) abandon his teenage attitudes in pursuit of Kasarova's free and independent Carmen - realising too late that his self-control has vanished, along with his youth.
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Bizet Carmen

2014

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Igor Levit: No Fear

Follows the artist over two years as he explores his „life after Beethoven“, as he searches for his next challenge, his identity as an artist.
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7.0
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Igor Levit: No Fear

2022

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The Cleveland Orchestra Centennial Celebration

Plot unavailable
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8.0
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The Cleveland Orchestra Centennial Celebration

2018

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Beethoven: Fidelio - Salzburg Festival

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Beethoven: Fidelio - Salzburg Festival

2015

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Verdi La Traviata

This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welser-Möst has many things to recommend it -- the young tenor Piotr Beczala as Alfredo, the marvelous Thomas Hampson as Giorgio Germont, the playing of the Zurich Opera orchestra, the simple but effective sets by by Erich Wonder, the uncluttered stage direction by Jürgen Flimm. It also has some flaws: strangely variable volume level of the recorded sound sometimes coming on so loud as to make one reach for the volume control, and the uneven performance of the Violetta, Eva Mei who, for all her merits, gives a dramatically effective performance marred by occasional difficulties with vocal production. Still, overall I felt this was a moving production, one that I would recommend, although perhaps not as an only DVD of one of Verdi's most popular operas.
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Verdi La Traviata

2005

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New Year's Concert 2011

Wiener Philharmoniker, conductor Franz Welser-Most
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10.0
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New Year's Concert 2011

2011

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La Clemenza di Tito

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.
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La Clemenza di Tito

2005

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