Actor: Laurent Naouri

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Birthday: 1964-05-23
Born in: Paris, France
Biography: Initially beginning his education at the École Centrale de Lyon, Naouri decided to concentrate on opera in 1986 and continued his musical studies at the Guildhall School of Music and Drama in London. His professional career in France began in 1992 with performances in the title role of Darius Milhaud’s Christophe Colomb (Christopher Columbus) for the opening of the Imperial Theatre in Compiègne. Progressing rapidly, his career quickly comprised a very varied repertoire ranging from Monteverdi to contemporary composers under such conductors as Maurizio Benini, William Christie, René Jacobs, Marc Minkowski, and Kent Nagano. Naouri made his debut at the Opéra Garnier in the role of Thésée in Rameau's Hippolyte et Aricie, followed by Eugene Onegin at the Opéra de Nancy, interpreting at the Opéra Bastille the roles of the Comte Des Grieux in Massenet's Manon and Figaro in The Marriage of Figaro. A wide range of roles has followed, including many from the Baroque era including Rameau's Platée and Les Indes galantes and Handel's Alcina. In Britain, he has appeared at the Royal Opera House in 2006 in the role of Escamillo in Carmen; in the United States at the Santa Fe Opera he appeared in the same role in the 2006 Carmen . Also at the Santa Fe Opera, he is scheduled for the role of Falstaff in Verdi's opera of the same name for June/July 2008 and as Germont in the 2009 La traviata starring his wife as Violetta. Naouri is married to soprano Natalie Dessay, and they have two children.

Known for

Benvenuto Cellini

With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' The plot revolves around Cellini's wooing of Teresa, a match frustrated at every opportunity by his rival, the cowardly Fieramosca. Benvenuto Cellini is a pithy work combining romance, excitement, violence, comedy and spectacle; the perfect stage for Terry Gilliam's stylishly colorful and larger than life directing.
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Benvenuto Cellini

2015

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Benvenuto Cellini

Live performance from Salzburg Festival Opera, August 2007. The story tells of Cellini's love for Teresa, daughter of the Papal Treasurer Balducci. His rival, the Papal Sculptor Fieramosca, overhears Cellini plotting to run away with Teresa during the carnival.
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7.0
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Benvenuto Cellini

2007

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The Metropolitan Opera: Saint-Saëns's Samson et Dalila

A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.
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The Metropolitan Opera: Saint-Saëns's Samson et Dalila

2018

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Massenet: Cendrillon

The 2017–18 Live in HD season concluded with an enchanted performance of Cendrillon, Massenet’s glittering operatic adaptation of the Cinderella story. This charming staging by Laurent Pelly, which bursts to life with the director’s characteristic wit and whimsy, stars American mezzo-soprano Joyce DiDonato as the title outcast-turned-princess. Mezzo-soprano Alice Coote offers a touching portrayal of the pants role Prince Charming, while soprano Kathleen Kim shines as the Fairy Godmother. Mezzo-soprano Stephanie Blythe, as the outlandish Madame de la Haltière, and bass-baritone Laurent Naouri, as the haggard Pandolfe, round out the principal cast. On the podium, conductor Bertrand de Billy leads a performance that is equal parts madcap comedy and heartfelt romance.
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Massenet: Cendrillon

2018

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Berlioz: Les Troyens

This epic opera follows Virgil, beginning as the Greeks appear to have ceded the field after ten years of the Trojan War. Cassandra tries to warn of the terrible fate to come, but fate is set and Troy falls. The first two acts cover this tragic end, then the flight of survivors to Carthage and events at Carthage continue in acts 3 - 5, culminating in the further voyage for Italy and Rome. This is Virgil's classic epic, in operatic form, in about a three and a half hour performance from French Opera.
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10.0
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Berlioz: Les Troyens

2003

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