Actor: Vinicio Diamanti

foto attore

Known for

Snack Bar Budapest

While his girlfriend recovers from a medical procedure, a corrupt lawyer becomes entranced by the grand visions of a mob boss.
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4.8
Snack+Bar+Budapest
Snack Bar Budapest

1988

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Scusi, lei è normale?

A moralistic judge declares war on pornography. His gay nephew, who lives with a transvestite, tries to save himself and also protect his friend Ana, a porn actress.
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4.8
Scusi%2C+lei+%C3%A8+normale%3F
Scusi, lei è normale?

1979

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Arabella: Black Angel

An insatiable nymphomaniac with a wheelchair-bound writer husband finds that her lurid exploits rejuvenate his creativity and libido, but soon enough, all of her lovers end up being murdered by an unknown assailant.
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5.6
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Arabella: Black Angel

1989

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Cop in Drag

Rome, Italy, early 1980s. A guy who worked at the Blue Gay, a transvestite cabaret, is found murdered, strangled. Marshal Nico Giraldi is responsible for investigating, infiltrating the Roman Gay community.
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5.6
Cop+in+Drag
Cop in Drag

1984

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La ragazza del metrò

Nino is a pianist, he runs into Valentina in the underground and falls for her. Valentina is rich but she tells nothing to Nino who is proud. Andrea was the boy of Valentina before Nino and wants to marry her for her money. Nino leaves Valentina when he finds out that she is rich while Andrea, turned down again, kidnaps Valentina.
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5.8
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La ragazza del metrò

1989

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Er Moretto – Von Liebe leben

The exploitation of young men as prostitutes in the district around the Roman coliseum is the focus of Simon Bischoff's documentary and fiction piece that spares no close-up view of male anatomy. This latter trait reveals just as much about the tenor of this film as it does about the body. Several years earlier, Bischoff met the main 17-year-old protagonist here, "Er Moretto," when he was just a 13-year-old runaway. The intervening years show how he changed into a streetwise vendor of sex, and Bischoff also details how the 17-year-old is picked up by a middle-aged man to be his companion. Fiction segments do not fare as well as the documentary aspects of this work, which in the end, seems at least ambiguous, if not questionable, in its intent.
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5.0
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Er Moretto – Von Liebe leben

1984

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