Actor: Catherine Malfitano

foto attore
Birthday: 1948-04-18
Born in: New York City, New York, USA
Biography: Catherine Malfitano (born 18 April 1948) is an American operatic soprano and opera director. Malfitano was born in New York City, the daughter of a ballet dancer mother, Maria Maslova, and a violinist father, Joseph Malfitano. She attended the High School of Music and Art and studied at the Frank Corsaro Studio and the Manhattan School of Music, graduating in 1971. Malfitano has championed the music of American composers, including Carlisle Floyd, William Bolcom, Conrad Susa and Thomas Pasatieri. She has sung over 70 roles throughout her career and continues to add more in her repertoire. She is currently a member of the voice faculty at Manhattan School of Music.

Known for

Tosca

Contemporary Rome is the setting for this unique and highly innovative version of Puccini's Tosca, performed in the Roman locations--and at the same times of day--as Puccini had written into his score. Thus the action opens in the beautiful 16th century church of Sant'Andrea della Valle at noon, where Cavaradossi (Domingo) is painting a portrait, moves to the Farnese Palace that evening where Tosca (Malfitano) dramatically stabs the lustful Scarpia (Raimondi) and finally in the battlements of Castel Sant'Angelo at dawn the following day where the last moments of the drama are completed.
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Tosca
Salome

Richard Strauss opera on a Oscar Wilde's biblical drama.
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2.0
Salome
Tosca by Giacomo Puccini

As part of the 2019 Aix-en-Provence Opera Festival, filmmaker Christophe Honoré delivers an innovative staging of Giacomo Puccini's famous drama. His cleverly staged "opera within the opera" is a melancholy homage to the fascinating figure of the diva, who thrives on art and love and upsets the laws of time and death.
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8.0
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Tosca by Giacomo Puccini

2019

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La Clemenza di Tito

"La Clemenza di Tito" was Mozart's last stage work. It was commissioned for an Imperial coronation ceremony while Mozart was at work on "Die Zauberflöte" and was composed in great haste. Indeed, time was so short that composition of the secco recitatives was assigned to Mozart's pupil Süssmayr. As in the earlier "Idomeneo", Mozart sought to produce an opera seria that was dramatically viable. He enlisted the poet Mazzolà to substantially revise the Metastasio libretto, which had already been set some fifty times. The number of arias was reduced from 25 to 11, and ensembles and choruses were added to enliven the proceedings. Though perhaps not the very top-drawer Mozart, the music is wonderful.
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La+Clemenza+di+Tito
La Clemenza di Tito

1980

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