Actor: Ricardo Trêpa

foto attore
Birthday: 1972-10-28
Born in: Porto, Portugal
Biography: Ricardo Oliveira de Sousa Trêpa (born 28 October 1972) is a Portuguese film actor. He has appeared in over 25 films and several TV shows since 1990. He is the grandson of Portuguese film director Manoel de Oliveira and has appeared in most of his grandfather's feature films since 1990.

Known for

Abraham's Valley

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.
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7.5
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Abraham's Valley

1993

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The Divine Comedy

In a mental institution the patients see themselves as people like Jesus, Lázaro, Marta, Maria, Adão, Eve, Sonia, Raskolnikov, Aliosha e Ivan Karamasov, a Philosopher, a Profet, Santa Teresa d'Avila, reciting the Divine Comedy.
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6.9
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The Divine Comedy

1991

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Belle Toujours

38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.
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5.9
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Belle Toujours

2006

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Porto of My Childhood

Manoel de Oliveira's autobiographical documentary about returning to his hometown.
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6.7
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Porto of My Childhood

2001

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Magic Mirror

Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.
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6.4
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Magic Mirror

2006

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The Strange Case of Angelica

A photographer, Isaac is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.
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6.6
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The Strange Case of Angelica

2010

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No, or the Vain Glory of Command

Episodes from entire military history of Portugal are told through flashbacks as a professorish soldier recounts them while marching through a Portuguese African colony in 1973.
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6.1
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No, or the Vain Glory of Command

1990

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Eccentricities of a Blonde-Haired Girl

Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character.
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6.2
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Eccentricities of a Blonde-Haired Girl

2009

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Party

The battle of the sexes? The forces of despair and seduction? On S. Miguel in the Azores, Rogério, a young man with old money, and his enigmatic wife Leonor host a garden party at their villa. The intriguing guests are an older unmarried couple, the philosophical and observant Irene, and Michel, a roué. While Rogério and Irene talk, Michel and Leonor go down to the sea. The conversations upset Rogério and capture Leonor's imagination. Five years later, the four dine at the villa. Michel and Leonor again leave the other two. Intentions and undercurrents are subtle. One of the four proves strong, one weak, and two must choose. Wind and rain bring down the curtain on both acts.
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6.5
Party