Actor: Leila Shenna

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Born in: Marocco
Biography: Leila Shenna (Arabic: ليلى شنّا‎‎; born Morocco) is a Moroccan former actress who featured on film mostly in the 1970s. She is most commonly remembered in English speaking countries for her role as a Bond girl in the 1979 film Moonraker as an evil air hostess. However, she also starred in the 1968 film Remparts d'argile (initially released in Italy, later released in the United States in 1970 under the title Ramparts of Clay) directed by Jean-Louis Bertucelli, the 1975 Palme D'or winner Chronique des années de braise directed by Mohammed Lakhdar-Hamina, as well as the 1982 Algerian film Vent de sable, also directed by Lakhdar-Hamina. The first two films were set in Algeria, the third simply in the desert. She also had a minor role in the 1977 film March or Die. She is the cousin of Malika Oufkir, the writer of Stolen Lives: Twenty Years In A Desert Jail, an account of the failed 1972 assassination attempt on the King of Morocco by her father (and Leila's uncle), General Mohamed Oufkir. Description above from the Wikipedia article Leila Shenna, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known for

Moonraker

After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax. With the help of scientist Dr. Holly Goodhead, Bond soon uncovers Drax's nefarious plans for humanity, all the while fending off an old nemesis, Jaws, and venturing to Venice, Rio, the Amazon...and even outer space.
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6.2
Moonraker
March or Die

Just after World War I, Major Foster is incorporating new recruits into his French Foreign Legion platoon when he is sent to his former remote outpost located in the French Morocco to protect an archaeological excavation from El Krim, a Rifian leader who intends to unite all local tribes to fight the colonial government…
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5.8
March+or+Die
March or Die

1977

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Chronicle of the Years of Fire

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.
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6.3
Chronicle+of+the+Years+of+Fire
Chronicle of the Years of Fire

1975

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December

In Algiers, during the Algerian War of Independence, one of the leaders of the FLN was arrested by the French colonial army, which used the most violent methods to make the prisoners speak. The use of torture poses a conscience problem for a French officer. Playing shot-reverse-shot, between the tortured and his torturer, in a suffocating camera, Mohammed Lakhdar-Hamina approaches torture by drawing inspiration from the story of his father, who died of abuse.
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10.0
December
Château Espérance

Rachid, a North African immigrant worker in the Fayard company for several years, saved to bring his wife Leïla and their son Larbi. They arrive in France for the first time. Leïla full of hope came to join her husband in exile. But very quickly, it is the shock: the difficult working conditions, the hard daily life of her husband and the surrounding grayness marked by anti-Arab racism does not bode well. The 30-episode series was first broadcast on May 17, 1976 on TF1, and is the first French series to address immigrant issues in France.
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10.0
Ch%C3%A2teau+Esp%C3%A9rance
Château Espérance

1976

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Sandstorm

Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.
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10.0
Sandstorm