Actor: Arthur Smith

foto attore
Birthday: 1954-11-27
Born in: Bermondsey, London, England, UK

Known for

Filth!

In the late Eighties, there had been a series of comedy concerts (modelled on the Amnesty International “Secret Policeman’s Ball series”) to raise both awareness and raw cash for HIV/AIDS charities. The series was called Hysteria to reflect the hysteria (and downright untruths) surrounding the issue of HIV/AIDS. The last one of these had been in 1989, so in 1994, Pozzitive set out to revive the idea of a fundraiser with “Filth!” a night of comedy and music at the Sadlers Wells theatre, on Sunday 24 April. In fact, so many comedians and writers said “yes” to the idea, that we hit on the notion of doing two shows in one evening back to back. The first show was hosted by Lynn Ferguson and Arthur Smith, the second show by Mark Lamarr. Artists involved in the show included Tom Robinson, Steve Coogan, Spitting Image, Eddie Izzard, Jo Brand, Jeremy Hardy and Ben Elton.
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How The Young Ones Changed Comedy

This documentary explores the legacy of one of the most notorious British sitcoms of all time. Launching alternative comedy onto our screens, the show made household names of its performers and writers and proved to be a huge influence, despite the BBC reportedly being baffled by what they'd commissioned back in 1982. Never before had a flagship comedy show contained so much violence, depravity and anarchy - it was a shot across the bow to mainstream comedians that things would never be the same again.
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Picking up where Jeremy Lloyd and David Croft's classic comedy left off, it's 1988 and Young Mr Grace is determined to drag Grace Brothers into, well 1988, but he has a problem on his hands. Mr Humphries, Captain Peacock, Mr Rumbold and Mrs Slocombe all seem to be stuck in another era. A new member of staff, Mr Conway, joins the team but will he help shake things up or will he just put a cat amongst the pigeons?
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Ident

Explores the nature of man, not only with feet of clay, but with a face of clay as well. Within a colourless city of walls, corridors, and small rooms, a man makes his way from home to work, then to a bar, and then, by a stroke of luck, into an outdoors of space, fresh air, and colour. Along the way, he changes his face to fit his surroundings, interacts with his dog, argues with co-workers, and gossips at a bar. His altering of his visage suggests a two-faced nature, and his stepping into the outdoors provides the ultimate test of his real identity.
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