Birthday: 1966-03-23 Born in: Santa Maria, Rio Grande do Sul, Brazil
Known for
Madame Satã
A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.
In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.
Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.
In the 1990s, two brothers were accused of murdering eight women, one man and one child in the Serra dos Órgãos region. In the eyes of the suspects, Sergeant Téo realizes that the trial of the press, police and local society is fundamentally racist, and begins to have doubts about the conviction of one of them. Based on a true story, the film is a work of fiction about the famous case of the "Necrophil Brothers."
The trajectory of Antônio Carlos Bernardes Gomes, known as Mussum, from Trapalhões. His poor childhood, his military career, his relationship with Mangueira and his success with the group Originais do Samba, as well as behind the scenes as a member of Trapalhões.
40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.
Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.
The true story of João Guilherme Estrella ("Johnny"), a young middle-class bon vivant who became a big-time cocaine dealer in Rio de Janeiro in the early 1990s.
A pawn shop proprietor buys used goods from desperate locals – as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.
After being released from prison, Dr. Nise da Silveira is back at work in a psychiatric hospital on the outskirts of Rio de Janeiro where she refuses to employ the new and violent electroshock in the treatment of schizophrenics. Ridiculed by doctors, she is forced to take on the abandoned Sector for Occupational Therapy, where she would start a revolution through paintings, animals and love.
