Actor: Aleksandr Gruzinsky

War and Peace

A seven-hour epic adaptation of the novel by Leo Tolstoy. The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

War and Peace, Part III: The Year 1812

In 1812, Napoleon's Army invades Russia. Kutuzov asks Bolkonsky to join him as a staff officer, yet the prince requests a command in the field. Pierre sets out to watch the upcoming confrontation between the armies. During the Battle of Borodino, he volunteers to assist in an artillery battery. Bolkonsky's unit waits in the reserve, but he is hit by a shell. Both Anatol and Bolkosnky suffer severe wounds. The French Army is victorious and advances on Moscow.

A Royal Regatta

The student rowing team of the Moscow Aviation Institute (MAI) was defeated in the competition. The coach drops the team and leaves, taking the best rowers with him. The remaining athletes decide to assemble a new team, and the management of the institute appoints a new coach for them — a teacher of hydrodynamics.

The Ugly Story

Based on a satirical short story by Fyodor Dostoyevsky concerning the escapades of a Russian civil servant.

The Golden Antelope

It is a screen version of an Indian national fairy tale. Malicious and greedy rajah wishes to get a wonderful antelope who strikes gold coins by hoofs. The country boy rescues an antelope, but rajah, threatening the boy, compels the antelope to serve him but he is severely punished for it.

My Universities

My Universities (Moi universiteti) is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. The "university" of the title is actual the school of Hard Knocks, as Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.

Dachniki

In the focus of the film is the fate of Varvara Basova, whose painfully soulless, philistine-gray existence, devoid of ideals and moral content. Relevant today, the picture sounds like a verdict to all who are mired in vulgarity, who have exchanged life for petty pleasures, profit, empty philosophizing.