Actor: Satindra Bhattacharya

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Biography: Satindra Bhattacharya is an Indian actor. Some of his work includes the Bengali films Subarnarekha, Ajantrik, The Holy Man, Komal Gandhar, The Citizen, and Reason, Debate and a Story.

Known for

Subarnarekha

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
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6.7
Subarnarekha
Subarnarekha

1965

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The Holy Man

A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.
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The Holy Man

1965

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Komal Gandhar

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
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5.7
Komal+Gandhar
Komal Gandhar

1961

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Debdas

The scion of a wealthy landowner family turns to alcohol and self-pity and slowly self-destructs after class differences force him to break off his relationship with his childhood sweetheart.
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Debdas
Baksa Badal

A hilarious romantic-comedy where two people have their luggage exchanged during a train journey. One of them (Soumitra Chatterjee) is a psychiatrist, and he develops a keen interest in knowing the other party (Aparna Sen). His experience as a psychiatrist helps him to understand the happy-go-lucky and pampered Aparna Sen and woo her love.
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Baksa+Badal
Baksa Badal

1970

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Ajantrik

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.
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7.0
Ajantrik
Reason, Debate and a Story

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.
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Reason, Debate and a Story

1974

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