Actor: Fritz Genschow
Birthday: 1905-05-15
Born in: Berlin, Germany
Born in: Berlin, Germany
Known for
Titanic
This little-known German film retells the true story of the British ocean liner that met a tragic fate. Ernst Fritz Fürbringer plays the president of the White Star Line, who unwisely pressed the Titanic's captain (Otto Wernicke) to make the swiftest possible crossing to New York.
This little-known German film retells the true story of the British ocean liner that met a tragic fate. Ernst Fritz Fürbringer plays the president of the White Star Line, who unwisely pressed the Titanic's captain (Otto Wernicke) to make the swiftest possible crossing to New York.
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6.1
Friedrich Schiller – Der Triumph eines Genies
The young Schiller, whose heart and soul are writing and poetry, is forced into the military academy (the pride and joy of the Duke of Württemberg). Schiller is disgusted by the everyday routine of the military, always back and forth between breeding and drills. Conversation, conflict or even critique are discouraged – the oppression insufferable for the young rebel. Disgusted by the brutality, he writes his drama "The Bandit", which he would later publish anonymously. But following a frank conversation with the Duke, Schiller is dishonored and must leave the land.
The young Schiller, whose heart and soul are writing and poetry, is forced into the military academy (the pride and joy of the Duke of Württemberg). Schiller is disgusted by the everyday routine of the military, always back and forth between breeding and drills. Conversation, conflict or even critique are discouraged – the oppression insufferable for the young rebel. Disgusted by the brutality, he writes his drama "The Bandit", which he would later publish anonymously. But following a frank conversation with the Duke, Schiller is dishonored and must leave the land.
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6.8
Dawn
Released three days after Adolf Hitler became Reichskanzler, it was the first film to have its screening in Nazi Germany. It became a symbol of the new times touted by the Nazi regime. The title (literally "morning-red") is the German term for the reddish coloring of the east sky about a half hour before the sunrise. On patrol Captain Liers and his submarine crew sink an important British ship, but while returning to harbour, they're lured into a trap by a British vessel disguised as a neutral Danish one. They sink it after it attacks them without warning, but while they prepare to rescue survivors, a British destroyer sinks the sub. On the sea bed 60 feet down, with all but the bridge flooded, the 10 surviving crew have only 8 rescue devices. Liers orders the crew to use them, but they disobey - either all escape or nobody does.
Released three days after Adolf Hitler became Reichskanzler, it was the first film to have its screening in Nazi Germany. It became a symbol of the new times touted by the Nazi regime. The title (literally "morning-red") is the German term for the reddish coloring of the east sky about a half hour before the sunrise. On patrol Captain Liers and his submarine crew sink an important British ship, but while returning to harbour, they're lured into a trap by a British vessel disguised as a neutral Danish one. They sink it after it attacks them without warning, but while they prepare to rescue survivors, a British destroyer sinks the sub. On the sea bed 60 feet down, with all but the bridge flooded, the 10 surviving crew have only 8 rescue devices. Liers orders the crew to use them, but they disobey - either all escape or nobody does.
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5.1
Harbour Drift
A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.
A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.
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6.6
The Student of Prague
Prague in the 1860s: Balduin is a popular, handsome student, the best fencer in town, in amicable rivalry with his friend Dahl for the affections of Lydia, the innkeeper's niece. While the students are celebrating Lydia's birthday, the opera singer Julia Stella arrives at the inn - and Balduin's life begins to unravel. He is immediately infatuated with the glamorous singer - but she is already kept by an admirer, the wealthy and foppish Baron Waldis. How can a poor student hope to compete? The mysterious Dr. Carpis, who also has ties to Julia and is jealous of the Baron, intervenes. But the price will be higher than Balduin can ever imagine. He risks his sanity and his life - perhaps his very soul - haunted by his own reflection.
Prague in the 1860s: Balduin is a popular, handsome student, the best fencer in town, in amicable rivalry with his friend Dahl for the affections of Lydia, the innkeeper's niece. While the students are celebrating Lydia's birthday, the opera singer Julia Stella arrives at the inn - and Balduin's life begins to unravel. He is immediately infatuated with the glamorous singer - but she is already kept by an admirer, the wealthy and foppish Baron Waldis. How can a poor student hope to compete? The mysterious Dr. Carpis, who also has ties to Julia and is jealous of the Baron, intervenes. But the price will be higher than Balduin can ever imagine. He risks his sanity and his life - perhaps his very soul - haunted by his own reflection.
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6.1
