Actor: Robert Kramer

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Birthday: 1939-06-22
Born in: New York City, New York, USA
Biography: Robert Kramer (June 22, 1939 – November 10, 1999) was a left leaning American film director, screenwriter and actor. He directed 19 films between 1965 and 1999, most of them political cinema made from a left-wing point of view. His film À toute allure was entered into the 1982 Cannes Film Festival. Description above from the Wikipedia article Robert Kramer, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Known for

The State of Things

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.
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6.5
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The State of Things

1982

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L'ennui

A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but develops a sexual rapport with her. Obsessed with the need to own and tormented by her inability to respond to him, he becomes increasingly violent in a quest he can't name - a quest that slowly begins to undermine his certainties.
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5.5
L%27ennui
Room 666

During the 1982 Cannes Film Festival, Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"
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6.3
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Wundkanal

An old man is kidnapped. His interrogation uncovers the biography of a mass murderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in Russia. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a bureaucratic murderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film. (Edition Filmmuseum)
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6.0
Wundkanal
Another Country

The Portuguese Revolution (1974-75) seen through the eyes of some of the most important photographers and filmmakers that witnessed the event. Their dreams and expectations and what came out of the revolution. With outstanding historical footage.
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7.5
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Another Country

2000

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