Actor: Paul Schrader

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Birthday: 1946-07-22
Born in: Grand Rapids, Michigan, USA
Biography: Paul Joseph Schrader (born July 22, 1946) is an American screenwriter, film director, and film critic. He first became widely known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also directed 24 films, including Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Cat People (1982), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017); the latter earned him his first Academy Award nomination. Schrader's work frequently depicts troubled men struggling through an existential crisis that is then punctuated by a violent, cathartic event. Raised in a strict Calvinist family, Schrader attended Calvin College before electing to pursue film studies at UCLA on the encouragement of film critic Pauline Kael. He then worked as a film scholar and critic, publishing the book Transcendental Style in Film: Ozu, Bresson, Dreyer (1972) before making the transition to screenwriting in 1974. The success of Taxi Driver in 1976 brought greater attention to his work, and Schrader began directing his own films beginning with Blue Collar (co-written with his brother, Leonard Schrader). His three most recent films have been described by Schrader as a loose trilogy: First Reformed (2017), The Card Counter (2021), and Master Gardener (2022). Description above from the Wikipedia article Paul Schrader, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known for

Dog Eat Dog

Carved from a lifetime of experience that runs the gamut from incarceration to liberation, Dog Eat Dog is the story of three men who are all out of prison and now have the task of adapting themselves to civilian life.
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5.1
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Dog Eat Dog

2016

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Richard Pryor: Omit the Logic

Mike Epps, Richard Pryor Jr. and others recount the culture-defining influence of Richard Pryor - one of America's most brilliant, iconic comic minds.
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7.1
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Richard Pryor: Omit the Logic

2013

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Hitchcock/Truffaut

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
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7.3
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Hitchcock/Truffaut

2015

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Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood

A look at 1970s Hollywood when it was known as New Hollywood, and the director was the star of the movie.
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7.1
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Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood

2003

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Clapboard Jungle

Following five years in the life and career of independent filmmaker Justin McConnell, this documentary explores the struggles of financing, attracting the right talent, working with practical effects and selling the finished product in the hope of turning a profit. Featuring interviews with a range of industry luminaries, not only are technical aspects and interpersonal skills discussed but also the emotional stamina and little-known tips needed to survive in the low budget film industry.
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3.0
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Clapboard Jungle

2020

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A Decade Under the Influence

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
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8.0
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A Decade Under the Influence

2003

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Film Noir: Bringing Darkness to Light

Film Noir burrows into the mind; it's disorienting, intriguing and enthralling. Noir brings us into a gritty underworld of lush morbidity, providing intimate peeks at its tough, scheming dames, mischievous misfits and flawed men - all caught in the wicked web of a twisted fate.
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7.1
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Film Noir: Bringing Darkness to Light

2006

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What She Said: The Art of Pauline Kael

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
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6.5
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What She Said: The Art of Pauline Kael

2019

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