Me voy. Me voy (2021)

Wonders of the Arctic

Wonders of the Arctic 3D centers on our ongoing mission to explore and come to terms with the Arctic, and the compelling stories of our many forays into this captivating place will be interwoven to create a unifying message about the state of the Arctic today. Underlying all these tales is the crucial role that ice plays in the northern environment and the changes that are quickly overtaking the people and animals who have adapted to this land of ice and snow.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Snake's Mouth

Chicán (chi'kaan), a Mayan word meaning "Boca de Culebra", is a small Mayan community in southern Yucatán where for generations its inhabitants have been born with a particular characteristic and share the same surnames. This documentary portrays the life of a local family and their resilience in a town where tradition will continue unless someone breaks the cycle.

DIYSEX

DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.

I Don’t Want to Be Just a Memory

Berlin queer community members mourn the substance abuse-related loss of their friends by sharing memories and rituals. Resembling glow-in-the-dark fungi, they radiate light together as a network of support and care.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Half Sour

A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.

1999 A.D.

A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".

Bird Gone Wild: The Woody Woodpecker Story

The story of Walter Lantz and Woody Woodpecker from the early days at Universal Pictures to the creation of brand new cartoons in 2018. Featuring contributions from Woody experts and of course, Woody himself.

Canucks Riot II

The chaos on the streets of Vancouver that unfolded in the wake of the Canucks’ loss in the 2011 Stanley Cup Finals is revisited from dozens of perspectives.

David Gan: the Front Lines

A young David Gan joins the WWII effort, eager to serve his country. Feelings of exclusion as a Chinese-American disappear in the Army. After experiencing the loss of so many fallen comrades, David dedicates his life to those who never came home.

Magritte or the Object Lesson

The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.

Sunrise Over Tiananmen Square

This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.

Town Business

After a "diplomatic mission" into a neighboring town Kell returns to his town to see that his not so bright team of idiots have screwed up everything.

Crisis Hotline: Veterans Press 1

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

The Percheron

This documentary is a true tribute to the Percheron, the superb draft horse. We talk about its origins, its characteristic traits, its performance in competitions and its value on the farm or for the heavy draft service in the cities.

America; I Too

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Cityscape

From La Région Centrale (1971), Snow orchestrates new patterns of movement that exchanges the focus on landscape with the cityscape of Toronto.

Ozu: Passageways

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

The World According to Koreeda Hirokazu

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.

Nannies

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.