My Lady Incog. (1916)

Women They Talk About

Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.

The Miracle Man

A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.

The Cave Girl

Margot Sperry, who keeps house for her guardian, a professor who wants to revert to primitive modes of living, finds it difficult to find food in the winter wilderness and resorts to pilfering from the Bates's winter camp. Divvy, engaged to a girl he does not love, meets Margot on one of her raids and falls in love with her. Baptiste, a half-breed employed by the Bates family, is discharged for stealing and burns the camp, driving the family to refuge with Margot. Elsie, hoping to regain Divvy's affections, dresses in boyish clothes similar to Margot's. Joining forces with Baptiste, they capture Margot, and Baptiste takes her in a canoe downstream. Realizing her mistake, Elsie warns Divvy, who bests the half-breed and then rescues Margot from the falls. A lost film.

Carmen

A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.

The Big Fight

Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.

The Case of Lena Smith

A peasant girl goes to great lengths to protect her child in 19th century Vienna. The film is considered lost, and only four minutes of footage are known to remain.

Evening Clothes

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.

Out All Night

A young man marries an actress, but meanwhile her uncle has signed a contract binding her to spinsterhood, many complications arise.

His Secretary

When a secretary overhears her boss disparaging her looks, she decides to show him how wrong he is.

Footlights and Shadows

A fortune-hunting follies star Gloria Dawn ( Olive Thomas ), begins to question her engagement to wealthy Peter Shaw after meeting an amnesiac young man who stumbles into her apartment one night. The doctor instructs that he not be moved, so Gloria nurses the stranger back to health, although his memory fails to return. Gloria falls in love with her patient and, upon discovering that he is millionaire sportsman Jerry O'Farrell, rushes home to restore his identity, only to find that he has gone. Amnesia continues to plague Jerry, and he soon forgets both Gloria's name and address. While he is attending a show at the follies, a fire breaks out, and Gloria, recognizing her lover in the audience, rushes to save him. Meanwhile, Shaw, who has discovered Gloria's feelings for Jerry, accosts her. Jerry, who has finally regained his memory, intercedes and rescues Gloria, and the two fall in love.

The Barricade

Debutante Hope Merrill returns home one day to find her financier father Amos Merrill on the verge of committing suicide. Rather than reveal the truth -- that he has misappropriated funds from his own company -- Merrill claims that he has been ruined by young John Cook, Hope's sweetheart.

Un Vintén pa’l Judas

Christmas Eve. The children ask for money for the Judas (Un Vintén pa’l Judas), and the protagonist, a failed tango singer without means or will to live, meets a friend, a public employee, in search of some rummage. This one asks him to buy a lottery. The tango singer, in need of money to buy a guitar to use in a singing contest, collects the winnings for himself, betraying the trust of his friend, in the same way as the Judas that the children burn on the streets.