Anarchy in the Philippines (2018)

Es is zum scheissn

The Austrian Kreisky government enforced a policy of full employment, it was not allowed to set foot on the lawn in Vienna's Burggarten, the city and the minds of the people are grey. In a nutshell: es is zum Scheissn! The Kronen Zeitung speaks the mind of the philistine bourgeoisie and tells about "drug abuse, duck murders and sex orgies", the city government reluctantly provides a youth center only to evict it subsequently, a former Nazi becomes president and Vienna is burning because of the Opera Ball demonstrations. Punk in Vienna was not different than punk anywhere else. And yet, it was. "Scheiss Kieberei" instead of ACAB, Dead Nittels instead of California über alles, "Nazis raus" by Extrem on the same compilation as "We're gonna fight" by 7 Seconds. And anyway, the band names: Chuzpe, Schund, Pöbel. The outcast kids of Helmut Qualtinger tell their own story.

Shot! The Psycho-Spiritual Mantra of Rock

A reckless joyride into the darkest corners of popular music that delves deep into the mind of Mick Rock, the genius photographer who immortalized the seventies and the rise to rock stardom of many legendary musicians.

Gimme Danger

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

American Hardcore

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

The Great Rock 'n' Roll Swindle

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

New Breed Documentary 1989

The New Breed Documentary chronicles a cassette compilation put out by Freddy Alva & Chaka Malik in 1989. New York Hardcore was undergoing a transition at the end of the 80's & this generational shift was exemplified by the bands that were featured on the compilation.The story of the tape is at heart the story of NYC & kids that grew up in it's five boroughs as well as related outposts in Long Island/Yonkers. A unique set of social/economic circumstances during the 70's & 80's forged the individuals that went on to make up the New York Hardcore scene. This full length documentary profiles band members/fanzine editors/record label heads & fans that made up this vibrant scene with narration by NYHC book author Tony Rettman. It's unheard of for a feature film to focus on an outdated analog format like a cassette compilation but it is through the eyes of these individuals that a spotlight is shined onto those tumultuous times & what is ultimately a tribute to a bygone era.

Fursonas

A look inside the furry community - who's a part of it, why, and what it's really all about

A Fat Wreck

Fat Wreck Chords... The influential music label proud to say they've spent the past 25 years "ruining punk rock". A Fat Wreck tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label.

Rude Boy

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Green Day: Bullet in a Bible

Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.

Dead Kennedys: Fresh Fruit for Rotting Eyeballs

Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.

The Filth and the Fury

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

How to Squash a Squat

1989, New York City's Alphabet City and East Village. A year after the Tompkins Square Park Riot, squatters and their community allies try to stop the demolition of their building after an arson. Police forces occupy the neighborhood while the demolition continues. A portrait of an East Village that is no more. An homage to the voices and sounds of a neighborhood before its gentrification.

Style Wars

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

Urgh! A Music War

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Instrument

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

The Happy Child

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

Paris Is Burning

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

Rock Milestones: The Clash's London Calling

Critical review of the English punk rock band's 1979 album, 'London Calling'. The program features input from industry experts, including film director and DJ Don Letts, rare performance footage and clips from songs such as 'Should I Stay Or Should I Go', 'White Riot' and 'London Calling'.

The Decline of Western Civilization

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Beyond Barricades

Beyond Barricades is a documentary on political punk band Anti-Flag, featuring interviews with Tom Morello, Billy Bragg, Tim McIlrath, Brian Baker & More. The film explores the trials and tribulations of playing politically charged music and devoting your life to activism.

Debt Begins at 20

With music by The Cardboards, The Shakes, Hans Brinker and The Dykes. By combining semi-fictionalized and documentary material, this film is as definitive a record of the Pittsburgh punk scene during its nascent underground as anyone could hope for. Beroes' band footage is radical departure from the gimmickry of stereotyped rock band documentary in its use of pans and slow dollys, capturing small glimpses of the musicians at work that a 'PR' film would have avoided at all costs. The cinematography demands a reconsideration of the rock band documentary's hoary technical vocabulary. From the time this film was made changes have already taken place in Pittsburgh punk-dom as the bands have moved from an insular salon society to more 'legitimate' venues. Some say things are better than ever, others mourn the passing of Pittsburgh punk's innocence. Beroes in Debt Begins at 20 has produced not only entertainment, but also a small and very precious time capsule.

The Mentors: Kings of Sleaze Rockumentary

Documentary on the shock rock group "The Mentors".

We Were Famous, You Don't Remember: The Embarrassment

Formed in 1979 in Wichita, Kansas, the so-called "blister pop" band the Embarrassment played major U.S. cities and garnered praise from the likes of Allen Ginsberg, John Cale and Jonathan Demme, but their refusal to compromise their vision made success elusive. Through archival interviews and concert footage, this documentary draws a portrait of the oft-overlooked post-punk legends.

Stories from the She Punks

Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.