Cool Critter (2019)

No Crying at the Dinner Table

Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

Now Is the Time

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

Last Chance Garage

A documentary on reformed ex-con Rick Maylender and his attempts to help troubled youths by taking them out of their environment and showing them how to find and repair abandoned classic vehicles.

Outside Center

Finding community via his gay rugby league, Jamaican-born Desmond navigates life, love, and identity as an immigrant living in Munich, Germany.

Planète animale 2 : Survivre

Plot unavailable

Colours

Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.

At Sea

AT SEA is a visceral and poetic short film that blends docu-style realism with narrative fiction, following a group of faceless sailors navigating the unpredictable seas of Greece. Through the fragmented memories of an unreliable narrator, the film weaves together a non-linear story that shifts in mood with each chapter, offering a fresh perspective on the sea. Based on true events… almost.

Princess Ball Gown

Wedding rituals grounded on non-verbal social agreements represent the perception of society in general. Wedding dress is a symbolic part of these rituals. The process that a wedding dress has went through can be considered as an embodiment of the formation of women identity in society. Like most of the women, wedding dressmakers also dream of being a princess once they wear their wedding dress. On the other hand, dressmakers are certainly aware of the fact that they promote the already existing image of women in society because of their job. While they also recognise the truth is way different.

Kim Dotcom: Caught in the Web

The larger-than-life story of Kim Dotcom, the 'most wanted man online', is extraordinary enough, but the battle between Dotcom and the US Government and entertainment industry—being fought in New Zealand—is one that goes to the heart of ownership, privacy and piracy in the digital age.

Adrian Street: Imagine What I Could Do to You

British legend Adrian Street reflects on his life and career in and out of the ring.

The Oceans Are the Real Continents

Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Roundhay Garden Scene

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Traffic Crossing Leeds Bridge

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

Bad Boy of Bonsai

Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.

Birdman

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

Axolotl

Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.

Afro Promo

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

The Daughters of Daedalus

Yolanda has a special relationship with objects, she obtains them, knows them and accumulates them. The protagonist bears witness to the bond she has with the objects she treasures and gives a glimpse of its origin: the loss and love; as we enter her living space, her home.

Genderless

Everything is political, even something as insignificant as a bathroom. The struggle to occupy spaces represents the struggle to reaffirm one's very existence. This is why we explore why the creation of gender-neutral bathrooms in the Faculty of Philosophy and Letters is so important in a country that leads in hate crimes against the LGBTQ+ community.

The Colour of His Hair

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

Metro

An experimental and sensory portrait of the Mexico City Metro System through the job of a subway driver and the spaces she journeys.

Julieta

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

Gena Rowlands: A Life on Film

An intimate portrait of the superb actress Gena Rowlands, icon of independent cinema. Together with her husband, legendary director John Cassavetes (1929-89), she lived an unusual life beyond the dream factory, a life in which reality and fiction were so perfectly intertwined that it made possible films that still today seem incredibly real.

Affirmations

A look at what it's like to be gay and black in America.

White Earth

An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.