Like a Wave in the Sea (1998)

Between Science and Garbage

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Superstar: The Karen Carpenter Story

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Laibach - So Long, Farewell

Video short film for So Long, Farewell from Laibach from the album "The Sound of Music".

On Your Mark

Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.

Moonlight People

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Disparate, Shifty Fate

Wax and wane until there is naught but boring pain.

Complainant

There is nothing left to do but complain.

Time Piece

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

Aridity Enclosure 1

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Every Ambulation a Betrayal

Return to 'burn' only to find out you're already in that urn.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Synecdoche Turin

It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around. Such a pretty much postmodern sensation should have had Hazel in the Synecdoche, New York by Charlie Kaufman when she rents a burning house, which becomes quite her home yet with this persisting sense of precarity still not precluding to keep going. The experience is now translocated in another city, Turin. It still remains a burning house in a burning city, however it becomes home to someone.

jany robiać z hary piramidu

a visualization of a poem telling a story of making a piramid out of a mountain

Good Stock On The Dimension Floor: An Opera

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

Beatles Electroniques

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Clipping: Splendor & Misery

A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”

The Path of Wind

Animated video for Horishita Sayuri's Kaze no Toori Michi produced for NHK's Minna no Uta.

Out of the Law

Beyond all human restraint lies one's lugubrious layers of paint.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'

Hiding inside&out, writhing about, taken out&in.

Kinda Cool to Expend This Much Drool

Don't ask me why, but I feel we're about to cry trying.

What Was It Supposed to Be Like?

Rather pointless, rather stilted, fetid; not what we want us going after.

Almost Anything

Centrist revelations abound among repetitions & revisitings.

Revisited Remunerations Rapturously Collapse When Recompensed

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Global Groove

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

Melody

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Brutalism

Beneath towering Brutalist architecture, a man is driven to do what must be done.

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Cremaster 5

Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

Bedways

A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.

Projections

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

Magick Lantern Cycle

Nine films grouped together that form the basis of Anger's reputation as one of the most influential independent filmmakers in cinema history.

anyone lived in a pretty [how] town

A visual interpretation of the poem by E.E. Cummings about the life cycle of a townspeople and of one ignored couple.

All My Life

The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends.

Cóndor

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Me envenenas

Plot unavailable

A Study in Choreography for Camera

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

Pas de Deux

Two ballet dancers perform a dance enhanced with surreal after-image visuals.