Like a Wave in the Sea (1998)

Good Stock On The Dimension Floor: An Opera

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

On Your Mark

Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.

Between Science and Garbage

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Superstar: The Karen Carpenter Story

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Out of the Law

Beyond all human restraint lies one's lugubrious layers of paint.

Finds Itself in Corners

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Remind Me Why I Came Here

It's time the times met each other over & over.

Kinda Cool to Expend This Much Drool

Don't ask me why, but I feel we're about to cry trying.

Ruminative Meditations

Say Om as you reach home only to realize you never really left/stopped saying Om.

Leafing You Behind

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

What Was It Supposed to Be Like?

Rather pointless, rather stilted, fetid; not what we want us going after.

Beatles Electroniques

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Almost Anything

Centrist revelations abound among repetitions & revisitings.

All Those Things

Something I know or something I was told? When something scalding translates something to behold.

Always Aching & Bending Back

Slowed, stowed, achingly retold.

No Impersonator , Perpetrator

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Questioning, Requesting

Strings together what's strung together (please use yr tether).

Revisited Remunerations Rapturously Collapse When Recompensed

Your raging romp results only in rescinded regret @ the hands of radder cadets.

11 a.m

Official Music Video 11 a.m. "Nicolas Chamber" Death is tired of doing its job, so it procrastinates and feels guilty about it.

The Astronaut

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Projections

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

Brutalism

Beneath towering Brutalist architecture, a man is driven to do what must be done.

welcome_home.exe

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

How I See Sunsets

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

Sculpture

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 57 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US),Berlin International Art Film Festival and many other events.

Good Morning, Mr. Orwell

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Skarlett

Paying homage to 70's grindhouse and B-Movies with music by The Brujas, this music video follows a cannibal bassist that seeks her next victim in a sleazy bar, using her charms to seduce him and then eat him alive, a character introduced in the band's previous single: "Caníbal".