Aida (2012)

Royal Opera House: Così fan tutte

Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.

Verdi: Nabucco

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

Le Roi Arthus

Idealism, treachery, honor, and perfidy collide in this richly lyrical opera by French composer Ernest Chausson. This opulently scored work, which premiered in 1903, lays bare the tragedy of King Arthur’s betrayal at the hands of his queen Genièvre and his trusted knight Lancelot. Considered one of the finest examples of French romanticism, King Arthur (Le roi Arthus) was composer Chausson’s only opera—his own composing career was tragically cut short by his early death at age 44. Performed by a stellar cast, helmed by baritone Norman Garrett, mezzo-soprano Sasha Cooke, and tenor Matthew White, this production of King Arthur takes us to a world in the midst of upheaval where long-standing codes of honor and loyalty no longer hold sway.

Salome

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

Tosca

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.

Donizetti: Lucia di Lammermoor

Lucia di Lammermoor, dramma tragico in three acts by Gaetano Donizetti (1797 - 1848). Libretto by Salvadore Cammarano, after Walter Scott's 'The Bride of Lammermoor'. First performance in Naples, Teatro San Carlo, 26 September 1835 Recording: December 23 2015 - Gran Teatre del Liceu | Barcelona Director: Fabrice Castanier Conductor: Marco Armiliato Orchestra & Chorus of the Gran Teatre del Liceu

The Metropolitan Opera: The Exterminating Angel

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: Tosca

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

The Metropolitan Opera - Puccini: Manon Lescaut

Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.

Wagner: Götterdämmerung

Götterdämmerung, the final instalment of Wagner’s Ring of the Nibelung, is a story of human passions. Two essentially benevolent creatures, involved with and possibly doomed by their traffic with the gods, find treachery and evil in the world of the humans, and are ruined by the dark side of humanity. Iréne Theorin, acclaimed worldwide for her portrayal of Wagner’s heroines, stars as Brünnhilde opposite Lance Ryan, who continues his radiant portrayal of the tragic hero Siegfried. The strong cast also includes Mikhail Petrenko as the dark antagonist Hagen and Johannes Martin Kränzle, who once again shines as his father Alberich. Waltraud Meier has a memorable appearance as Brünnhilde’s sister Waltraute. With this 2013 recording of Götterdämmerung, the musically and visually compelling Scala Ring Cycle by Daniel Barenboim and Guy Cassiers was completed and proved to be one of the highlights of the Richard Wagner bicentenary.

Moonstruck

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

The Fiery Angel

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

The Bartered Bride

Frantisek Filip film version of the Smetana opera.

Rigoletto

This tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to the curse placed on both the Duke and Rigoletto by a courtier whose daughter had been seduced by the Duke with Rigoletto's encouragement. The curse comes to fruition when Gilda likewise falls in love with the Duke and eventually sacrifices her life to save him from the assassins hired by her father.

Death in Venice

Gustav Von Aschenbach, a passionate composer, arrives in Venice as a result of wanderlust and there meets a young man by whose beauty he becomes obsessed.

Attila

Plot unavailable

Birth

It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.

Sarah Plays a Werewolf

17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.

Rodelinda

With this DVD and Blu-ray of Rodelinda, one of Handel’s most emotionally complex operas, conductor Emmanuelle Haïm adds to her impressive Erato catalogue of the composer’s works. The imaginative production, by Jean Bellorini, was seen at the Opéra de Lille in Autumn 2018, and the cast features soprano Jeanine De Bique in the title role, countertenor Tim Mead as her husband Bertarido and another countertenor, Erato’s rising star Jakub Józef Orliński as Unulfo. Reviewing the production, Le Monde noted Emmanuelle Haïm’s “intimate connection with this music, which she knows how to unleash in all its violence, passion and heart-wrenching expressivity.”

I Promessi Sposi - Opera Moderna

Plot unavailable

Royal Opera House: Madama Butterfly

Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.

Royal Opera House: Swan Lake

The Royal Ballet performs Tchaikovsky's classic ballet, choreographed by Liam Scarlett and starring Marianela Nunez as Odette/Odile and Vadim Muntagirov as Prince Siegfried.

Lili Elbe

The painter Lili Elbe was the first person to have gender confirmation surgery in the 1930s. The homonymous opera is a glimpse into the life of Lili Elbe and her wife Gerda Wegener (also a famous painter) through Lili's transition at a time when such surgery was still completely uncharted territory.

Rigoletto

Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...

The Magic Flute

Tamino, a handsome prince, and Papageno, a bird-catcher, are sent by the Queen of Night to rescue her daughter Pamina from captivity under the high priest Sarastro. Julie Taymor's abridged, English-language production of the classic Mozart opera.

The Miracle of Heliane

The first-ever audio-visual recording of this opera – directed by Christof Loy, conducted by Marc Albrecht and with Sara Jakubiak, Brian Jagde and Josef Wagner in the leading roles

Primadonna or Nothing

From the first steps of an emerging singer to the final bow of a celebrated soprano, 'PRIMADONNA OR NOTHING' follows three relentless women who sacrifice everything to be an opera star.

The Metropolitan Opera: Don Carlos

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

The ROH Live: Lucia di Lammermoor

Lucia’s brother Enrico is horrified to learn she has fallen in love with his sworn enemy Edgardo. He hastily arranges her marriage to his associate Arturo. Edgardo and Lucia privately exchange rings before he leaves to fight in France. Enrico tricks Lucia into believing that Edgardo has been unfaithful. Longing for death, she signs the contract with Arturo – moments before Edgardo returns. Lucia murders Arturo in their wedding bed. His death is followed first by Lucia’s, and then by Edgardo’s.

Der Freischütz

Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”

The Metropolitan Opera - Wagner: Tannhäuser

As renowned for its harmonious overture as for its romantic storybook characters, this three-act masterwork features some of the composer’s most groundbreaking and unforgettable music, as well as a theme the young Wagner would revisit again and again later in his career—the redemptive and transcendent power of a woman’s love. The enchanting plot harks back to medieval history: Wolfram is a lovesick troubadour who desires the virtuous Elisabeth. She, however, has eyes for another: the rebellious knight Tannhäuser, who in turn cannot get over an overwhelming sensual experience in the realm of the goddess Venus, and is banished for singing her praises at court. Only saintly Elisabeth’s death can atone for his misdeeds.