Òrain Ghàidhlig Beethoven (2020)

Holst: In the Bleak Midwinter

The great composer of The Planets, Gustav Holst also taught himself Sanskrit, lived in a street of brothels in Algiers, cycled into the Sahara Desert, and allied himself during the First World War with a ‘red priest' who pinned on the door of his church "prayers at noon for the victims of Imperial Aggression". He hated the words used to his most famous tune "I Vow to Thee My Country" because it was the opposite of what he believed, and died before the age of 60 - broken and disillusioned.

The Language of Our Dreams – The Conductor Teodor Currentzis

“The most important work doesn’t take place on stage, but everywhere else,” Teodor Currentzis is convinced. And that is precisely where this film portrait follows him. For eight months, German director Andreas Ammer accompanied the charismatic conductor. He observed him in rehearsals with the SWR Symphony Orchestra, which Currentzis leads as chief conductor since 2018. He has visited him at his former place of activity in Perm, where he led the opera house from 2011 to 2019 and launched his career through meticulous work with his ensemble musicAeterna. He accompanied Currentzis on guest performances and had numerous conversations with him. The result is a many-faceted portrait of the impressive musician, who sees his profession also as a spiritual mission.

Beethoven privat

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Winterreise

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Beethoven's Nine: Ode to Humanity

Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.

Kapila

The film sketches the creative life of the protagonist Kapila. The film’s narrative is structured as one day in the life of a Koodiyattam performer.

The Unanswered Question II : Musical Syntax

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."

The Unanswered Question IV : The Delights and Dangers of Ambiguity

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"

Helicopter String Quartet

One morning, the late Karlheinz Stockhausen awoke from a dream that told him to take to the sky. Stockhausen envisioned four helicopters swirling in the clouds, with each of a quartet’s members tucked inside his own chopper, communicating through headsets, stringing away in sync to the rotor-blade motors. He immediately set forth to make that dream a reality. In 1995, Dutch film director Scheffer followed Stockhausen in the days leading up to the premiere performance of his Helicopter String Quartet in Amsterdam. The resulting film offers a rare glimpse of Stockhausen as he patiently dictates every agonizingly detailed measure to the Arditti Quartet.

Evgeny Kissin: The Gift of Music

Evgeny Igorevich Kissin was born in Moscow on the 10th of October 1971. He started to play the piano at the age of two, as soon as he was tall enough to reach the keyboard and he has not looked back from that day to this. His is a very rare story of continued success that has had the simultaneous blessing of critics, the public and musicians alike. This film by Christopher Nupen shows Kissin in preparation, interview, rehearsal and performance, with several dazzling performances shot live on stage, in true concert conditions. It also contains all the encores from Kissin's memorable Promenade concert at the Royal Albert Hall, London, in August, 1997—the first Prom concert by a soloist, it attracted the biggest audience in all the 103 year history, very nearly six thousand people. The music is by Liszt, Gluck, Haydn, Beethoven, Schubert, Paganini, Kissin himself and Chopin, the composer for whom Kissin feels the closest affinity.

Karajan: Portrait of a Maestro

An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.

Itzhak Perlman: Virtuoso Violinist

Documentary on the life and career of violinist Itzhak Perlman, including interviews, archival footage, and concert performances.

Chopin-Pletnev: Cello

This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.

Pavarotti, Birth of a Pop Star

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.