Cipollino (1973)

No Need to Grieve

The adventures of the people living in a small village on a border between Russia and Belarus.

I Can't Give You Anything But Love, Baby

In I Can't Give You Anything But Love, Baby, Broderick Crawford plays a sentimental gangster who abducts songwriter Johnny Downs and forces him to write a love ballad. It is Crawford's hope that the song will reach out and touch his long-lost childhood sweetheart. I Can't Give You Anything But Love, Baby was based on James Edward Grant's short story Trouble in B Flat; echoes of the basic premise later resurfaced in the 1957 "A" picture The Girl Can't Help It.

To Hell with Harvey

A struggling aspiring young writer assists a reclusive washed-up author on his comeback winter book tour. Together they hit the road across rural Ontario on a tumultuous journey seeking inspiration, acceptance and redemption.

Bravo Chef: French Cuisine

Bravo Chef: French Cuisine (2009) September 29th, 2009. Belmondo Entertainment. 60 Minutes. See the top chefs right at work! Working side-by-side with a top chef is a shortcut to mastering special tricks and techniques. A straightforward and hands-on approach renders lengthy and boring explanations unnecessary. A modern approach to the most sacred national dishes lets you master them without fear. The chefs don't hesitate to show you their treasured techniques, they understand that sharing a secret with a kindred spirit is a joy! Recipes included: 1 - Grilled Pike-Perch with Slices of Salmon. 2 - Pan-Seared Duck Foie Gras. 3 - Capon Bourguinon. 4 - Grilled Quail with Mushrooms and Spinach. 5 - Tian with Whipped Goat's Cheese. 6 - Escargots Bourguignon Au Gratin. 7 - Creme Brulee.

Avatar

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Classified X

A history of the racially stereotyped portrayal of African Americans in cinema, hosted by film pioneer Melvin Van Peebles.

Star Dust

When Hollywood film studios reject her because she's too young, an Arkansas woman sets out to build a career as an actress on her own.

Zomblogalypse

Feature length adaptation of the cult British zom-com web series following the adventures of three inept survivors of a zombie apocalypse through a video blog they maintain to ease the boredom of day to day survival.

The River and the Wall

Five friends embark on a 1,200 mile journey along the US-Mexico border from El Paso to the Gulf of Mexico to learn first hand what effect a border wall will have on the natural landscape and the wild animals roaming the land.

Slightly Scandalous

Disparate twin brothers find themselves involved in romantic mayhem when their respective girl friends get them confused in this musical comedy.

exchanging gifts

my love I got something for you

Angus & Julia Stone au Casino de Paris

Plot unavailable

Sasquatch Mountain

A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.

Angel in September

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

Privilege

Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.