The Ride (2019)

Head, Tail, Rail

The starting point of this film was a set of 35mm trailers acquired from various abandoned cinemas. This work reveals the veiled and forgotten images used by the commercial film industry.

Claudette's Star

Acting as part ode and through a series of interpretations, Claudette’s Star depicts young artists considering with sheer wonder who is given a voice.

The Mind and the Crime

The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.

Midwinter Hue

A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.

60 Seconds of Solitude in Year Zero

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Chinese Viola

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

Xenoi

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

December Hide-and-Go-Seek

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'

An experimental and poetic portrait of a woman.

Baa Baa Land

An eight-hour contemplative epic, entirely starring sheep.

idizwadidiz

Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.

The Game of Love

A young woman and man are riding bikes through nature, having a good time. When she speeds up, he loses her, and after a while he stumbles across her bike without any trace of her. He stumbles through the forest looking for her, imagining how she kisses him. No dialogue, just "audio credits" instead of titles, saying the name of the film, actors and director.

Blow Job

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

C-Film

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Aleph

Omniscient perspectives shoot vibratory gleams through human projectors statically displaced across the screen. Superimpositions at fever pitch falling apart and compressing into new molecular lattices. Peripheral fantasies imagine forth collusioned destinies. A yin/yang interchange makes light's transparency into density, while the darkness metamorphoses into thin lucidity. Hands in peristaltic motion grasp and release, conjuring interstitial embroideries. Landscapes yield their own maps in topographical patterns.

By the Dike Sluice

In his first film, Peter Nestler gives voice to an old floodgate. A nearby village, its inhabitants, wooden posts and twisted willow rods are presented from this unusual perspective. The floodgate ponders the fisher boats coming home from the sea along the shipping channel which is fed at low tide by a small river.

Ara crema

The sofa, the fire, the silhouette. A home that disappears in ashes. After thirteen years of mental and physical confinement in that house, another confinement was necessary to face those images. Family photographs (90s-00s) and personal video archive footage filmed in 16mm and MiniDv between March and April 2019 during the move and the burning of the sofa, edited in quarantine, April 2020.