Fantasma da Saudade no Vale da Morte (2016)

The Key Issue

A mockumentary about four people and their idiosyncratic ways of saving the planet.

The Happiness Which I Live

Samantha Flores, an 87 year old trans woman dreams with creating a nursing home for elder LGBTTI+ community.

Vasiliy

This is the story of Vasiliy Ilyin, a retired farmer from the village of Ryshkovo, on a first time journey to see the world, New York, the ocean, and a cover photoshoot for Esquire Russia

The United States of America

A conceptual bicentennial film dealing with spatial and temporal relationships between two travelers, their car, and the geographic, political, and social changes from NY to Los Angeles.

Psycho Attack Over Soviets

Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.

The Douro Boys: Winter Season

In the Douro, five winemakers get together with the aim of exporting Portuguese wine to the world.

99 days

Two instants separated by 99 days conflict with each other.

Coffee

April, 2015. Tradition is the ground on which we walk, the solid, impenetrable and tired. The method has remained almost the same or not?

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Lupita

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.

By the Lake

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

How Do You Measure a Year?

For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and sometimes awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.

Pérola do Atlântico

Short film narrating the luxuries of Madeira.

Corrida Interdite

Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.

Above All Else

In 1992, skydiver Dan Brodsky-Chenfeld boarded a plane for a training jump. Six weeks later, he awoke from a coma to discover that a terrible accident had shattered his dream of becoming a World Champion. This is his story.

Adrian Street: Imagine What I Could Do to You

British legend Adrian Street reflects on his life and career in and out of the ring.

Now That the Sun Begins to Set

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

Liquid Love

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded