Es is zum scheissn (2020)

American Hardcore

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

The Great Rock 'n' Roll Swindle

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Gimme Danger

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

We Were Famous, You Don't Remember: The Embarrassment

Formed in 1979 in Wichita, Kansas, the so-called "blister pop" band the Embarrassment played major U.S. cities and garnered praise from the likes of Allen Ginsberg, John Cale and Jonathan Demme, but their refusal to compromise their vision made success elusive. Through archival interviews and concert footage, this documentary draws a portrait of the oft-overlooked post-punk legends.

New Breed Documentary 1989

The New Breed Documentary chronicles a cassette compilation put out by Freddy Alva & Chaka Malik in 1989. New York Hardcore was undergoing a transition at the end of the 80's & this generational shift was exemplified by the bands that were featured on the compilation.The story of the tape is at heart the story of NYC & kids that grew up in it's five boroughs as well as related outposts in Long Island/Yonkers. A unique set of social/economic circumstances during the 70's & 80's forged the individuals that went on to make up the New York Hardcore scene. This full length documentary profiles band members/fanzine editors/record label heads & fans that made up this vibrant scene with narration by NYHC book author Tony Rettman. It's unheard of for a feature film to focus on an outdated analog format like a cassette compilation but it is through the eyes of these individuals that a spotlight is shined onto those tumultuous times & what is ultimately a tribute to a bygone era.

Beyond Barricades

Beyond Barricades is a documentary on political punk band Anti-Flag, featuring interviews with Tom Morello, Billy Bragg, Tim McIlrath, Brian Baker & More. The film explores the trials and tribulations of playing politically charged music and devoting your life to activism.

We Feed the World

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Shot! The Psycho-Spiritual Mantra of Rock

A reckless joyride into the darkest corners of popular music that delves deep into the mind of Mick Rock, the genius photographer who immortalized the seventies and the rise to rock stardom of many legendary musicians.

A Fat Wreck

Fat Wreck Chords... The influential music label proud to say they've spent the past 25 years "ruining punk rock". A Fat Wreck tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label.

Rude Boy

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

The Filth and the Fury

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Urgh! A Music War

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

160 meters: A Story Of Rock In Biscay

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

Instrument

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Anarchism in America

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

Classic Albums : Sex Pistols - Never Mind The Bollocks, Here's The Sex Pistols

The Sex Pistols album Never Mind The Bollocks Here's The Sex Pistols is unquestionably one of the most important musical statements in the history of British music. It was in 1977, at a time when the nation was crippled by class division and unemployment that four working class teenagers with supposedly non-existent futures recorded an album that to this day remains as one of the greatest and most influential bodies of work ever recorded. This documentary features exclusive interview's with all four of the original members of the Sex Pistols as they take you on a track by track look at the making of the album. Featuring Steve Jones and Glen Matlock demonstrating selected riffs and licks off the album and explaining the development of the song writing. Candid interviews with Malcolm McLaren, Chris Thomas and Bill Price set the record straight about the recording session. Intertwining additional rare home video, live footage and early demo's make this release a compelling must see.

Stories from the She Punks

Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.