Free My Soul, Free My Song (2019)

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Movies like Free My Soul, Free My Song

A Symphony of Noise

Treating a trumpet as if it was a portion of fish and chips is not basic culinary research but an audio-activistic intervention that lends a voice to British fishermen’s opinion towards Brexit. And the title ‘audio activist’ is very fitting for the British composer Matthew Herbert. ‘A Symphony of Noise’ provides an insight into Herbert’s thoughts about how we should hear the world and presents amplified sounds of teeth being pulled out, a pig being born, and a swimmer crossing the English Channel. The controversial and political samples become a part of a live performance at the Berlin night club Berghain, which makes the listeners both grate their teeth and dance along. Matthew Herbert wants us to listen to the world afresh, and it is a pretty fantastic experience.
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British musician and writer David Toop leads viewers through a tour of his voluminous record collection, reflecting on perception, the limits of music and the connections between seemingly disparate performers. This unusual documentary from filmmakers Guy Marc Hinant and Dominique Lohlé also captures Toop's progression from engagement to near exhaustion as he methodically combs through tens of thousands of records.
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With a career that includes a 35-year tenure as composer of the Berlin Philharmonic and record sales topping 200 million, Herbert von Karajan is one of the most legendary figures in 20th-century classical music. Comprised of archival footage, performance highlights and interviews with the likes of Anne-Sophie Mutter, Christa Ludwig and Seiji Ozawa, this retrospective chronicles the life and times of the iconic Austrian maestro.
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PLEH

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Harry Styles: Behind the Album

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Green Day: The Early Years

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Genghis Blues

Blind blues musician Paul Pena is perhaps best known for his song "Jet Airliner". In 1993, Pena heard Tuvan throat singing over his shortwave radio and subsequently taught himself how to reproduce these extraordinary sounds. This documentary follows him to Tuva, where he takes part in a throat singing competition. Languages featured in the film include English, Russian and Tuvan.
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The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
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Red Hot Chili Peppers: Live at Slane Castle

On tour promoting their 2002 studio album 'By the Way', Los Angeles-based funk rock band Red Hot Chili Peppers performs a sold-out live show to 80,000 people at Slane Castle in County Meath, Ireland on August 23, 2003.
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How Far the Stars

Self-effacing Hungarian pianist, József, has a unique talent for fusing contemporary jazz with traditional Roma music. This new sound catches the attention of the acclaimed saxophonist Tim Ries and the two begin performing together. József dreams of escaping his humdrum life and making it big in the home of jazz: America. Along the way, he conquers his demons and learns that when shooting for the stars, success is not the destination, but the journey itself.
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Shine a Light

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
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U2: Popmart - Live from Mexico City

U2 performs live in Mexico City in support of their 1997 album, "Pop," featuring lavish special effects, cutting edge sound and spectacular multimedia enhancement. /// Tracklist: 1. Pop Muzik 2. Mofo 3. I Will Follow 4. Gone 5. Even Better Than The Real Thing 6. Last Night On Earth 7. Until The End Of The World 8. New Year's Day 9. Pride (In The Name Of Love) 10. I Still Haven't Found What I'm Looking For 11. All I Want Is You 12. Desire/La Bamba 13. Staring At The Sun 14. Sunday Bloody Sunday 15. Bullet The Blue Sky 16. Please 17. Where The Streets Have No Name 18. Lemon (Perfecto Mix) 19. Discothèque/Love To Love You Baby/Life During Wartime 20. If You Wear That Velvet Dress 21. With Or Without You 22. Hold Me, Thrill Me, Kiss Me, Kill Me 23. Mysterious Ways 24. One 25. Wake Up Dead Man
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Dead Kennedys: The Early Years Live

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The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
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Copyright Criminals

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.
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Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
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Until the Light Takes Us

2008

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Northern Soul: Living for the Weekend

The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat.
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RiP!: A Remix Manifesto

RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.
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Muse: HAARP - Live from Wembley Stadium

Muse's live act at Wembley Stadium, 17 June 2007.
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Paul McCartney: Back in the U.S.

In 2002, a 60-year old McCartney refocused the attention on his musicianship, staging a massive live concert in Cleveland, Ohio. The superstar, who went on to form the popular rock group Wings and had several hit records as a solo artist, performs a track list that covers all three phases of his long and prolific career, including the hits "Eleanor Rigby," "Live And Let Die," "Blackbird," "The Long And Winding Road," and "Mother Nature's Son." In addition to the 30 tunes that McCartney enthusiastically performs, seemingly immune to the ravages of time and aging, BACK IN THE U.S.A LIVE also includes candid behind-the-scenes footage of the rocker backstage and on the road.
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2002

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