The Uber Story (2019)

GIG - A Uberização do Trabalho

The work mediated by digital apps and platforms is growing worldwide. But the advance of the “gig economy”, called in Brazil “uberization”, has aroused debates about the precariousness and intensification of work.

The Big Sick

Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.

End Trip

On a calm night in an average city a hardworking URYDE driver, Brandon, picks up just another fare, Judd. Using interactions that blur the lines between the technological world and the physical one, Judd explains a messy breakup. Brandon offers an empathetic ear and a sympathetic heart to his new friend to help him pick up the pieces. Aggregated profiles, algorithms, links, likes and comments bring people closer. But how close is too close?

Ryde

Technology brings us closer. Or perhaps it brings strangers, a little too close. But how much can you really trust someone? With a new ride share service, you never know who will be getting in a car with. Or if you'll ever get out.

ETA

A slow, psychedelic revenge thriller about the nocturnal world of rideshare apps.

Stuber

After crashing his car, a cop who's recovering from eye surgery recruits an Uber driver to help him catch a heroin dealer. The mismatched pair soon find themselves in for a wild day of stakeouts and shootouts as they encounter the city's seedy side.

Dear Bangladesh

An Uber driver gets a ride from a Japanese-Bangladeshi woman named Yuki. There are goons following her all the time, so she lives with the driver till she can leave for Japan.

No Hard Feelings

On the brink of losing her childhood home, Maddie discovers an intriguing job listing: wealthy helicopter parents looking for someone to “date” their introverted 19-year-old son, Percy, before he leaves for college. To her surprise, Maddie soon discovers the awkward Percy is no sure thing.

We Are Not The Same

Oscar, a ride-share driver, is held hostage by escaped prisoner, Sawyer, as he forces him on a road trip to the Mexican border where they discover not to judge a book by it's cover.

The Wrong Car

A woman who was raped by a NetCar driver takes a job with the company to exact her revenge on her attacker after she becomes frustrated with the slow pace of the criminal Justice system.

Midnight Passenger

Ani has ordered an Uber to get home at midnight. After realizing the driver is taking her somewhere else, she must run for her life.

Sangría

Under the shade of a lemon tree, Osvaldo is at the grill while talking with Horacio, his new neighbor. Everything is going well until Osvaldo discovers Horacio's trade: Uber. Horacio also discovers Osvaldo's: Taxi driver, rivals.

Ride MT-274

After a night out, Diana and Jorge decide to call a cab in order to get home. But in their way, the driver will receive a phone call that might take them into a life threatening situation.

Roots of my Rhythm

In this emotional documentary, Majid Kessab embarks on a moving journey to his Kurdish homeland, where he delves deep into his family history with his father.

Toda una vida

Paco is madly in love with his wife, Trini. Due to a tragic Alzheimer diagnosis, he makes the difficult decision to admit her to a nursing home, where he visits her daily. Through the eyes of Marta, their granddaughter, we see their loving relationship through the years. This documentary filmed for a period of 12 years tries to capture memories and becomes an emotional film about love itself.

Berchidda Live – A Journey Into Time In Jazz Archive

Collects and processes more than 1,500 hours of archive material filmed over 25 years by Gianfranco Cabiddu and his crew in the various editions of Time in Jazz, a music festival created and directed by Paolo Fresu in his home town of Berchidda, Sardinia.

Wacay, Mujeres del Tabacal

Plot unavailable

National Geographic: The Volga

Film cameras cruise the Soviet Union's mighty Volga River, providing a view of the Russian people along its 2300-mile length, including looks at the fishing industry, a rural village, a manufacturing town and the wedding of two factory workers.

Before the Revolution

A documentary thriller describing the last days of the Israeli community in Tehran, on the eve of the Islamic Revolution in 1979. The director, whose family was in Tehran at the time, uses rare archive materials to illustrate how thousands of Israelis, who enjoyed unusual affinity with the Shah's regime, wake up one morning to find their paradise vanished.

Bernard Blier, façon puzzle

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

Det står efter livet

Portrait of the author Sara Lidman.

SCARING THE HOES: The Making of

A documentary short film about the making of "SCARING THE HOES" by JPEGMAFIA and Danny Brown.

Cinéma Laika

In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.

Li Fet Met (Le passé est mort)

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Daring Women Doctors: Physicians in the 19th Century

Hidden in American history, all women's medical schools began to appear in the mid 19th century long before women had the right to vote or own property. "Daring Women Doctors" highlights the intrepid, pioneering and diverse women who faced hostility and resistance in their pursuit of medical education. It also demonstrates how women doctors exerted a long-lasting influence on the movement towards women's rights.

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.

The World's Fattest Man- 10 Years On

This documentary, filmed over 11 years, charts how Paul Mason took his life to the extreme, reaching nearly 80 stone as his food addiction became out of control.

Never Be A Punching Bag For Nobody

The film weaves together three stories: colorful boxing coach and ex-drill sergeant Sal Bartolo Jr., son of a renowned 1940s East Boston boxing champ; Naomi Yang herself, learning boxing from trainer Bartolo and reexamining some of her own family’s disturbing history; and schoolteacher Mary Ellen Welch, who in the 1960s mobilized a group of neighborhood women against encroachment from Logan airport, fighting back against an indifferent city government. None of these protagonists are destined to win the Big Fight, but all offer inspiration to anyone determined to stand up for themselves and hold their ground.

The Farc Guerilla, a History of the Future

Under the auspices of Rio Chiquito, Bruno Muel and Jean-Pierre Sergent’s 1965 report on the birth of the FARC, and Dunav Kuzmanich’s 1981 fiction film Canaguaro about the end of the Liberal guerillas, this is look back on 70 years of clandestine life in the Columbian forest. Women and men who took up arms amid profound social inequality and political violence recount their years as fighters and their return to civilian life, without disowning their past. From 2012, when the peace negotiations began, to 2022 — the story of a new struggle.