everyday star (2021)

Dinosaur Farm

A political assassination leads to division and chaos.

Beyond the Moonlight

Protagonist faces emotional dichotomy, after a recent relationship breakdown, about to record a film project

Number Two

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

for us, an essay

How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my chest, not only a heart but also longing? That's why I record you this: for us to continue.

A Round of Applause for Death

Death takes centre stage and faceless spectators applaud the inevitable in a series of murderous dreams.

The Artifice

An experimental visual piece delving into concepts like afterlife and existence in an abstract but accessible way.

Casa de Lava

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Prelude: Dog Star Man

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Silent Breaths Beneath Electric Glow

Silent Breaths Beneath Electric Glow is an evocative exploration of beauty and solitude, set entirely within a neon-lit aquarium. Through mesmerizing visuals of luminous marine life and the soft hum of electric currents, the film captures the quiet poetry of existence behind glass walls. Each frame radiates a dreamlike melancholy, celebrating the fragile connection between life and its artificial surroundings. A meditative journey through light, color, and the silent breaths of a world suspended in electric glow.

01

A boy dreams about a girl who he is in love with.

Leda + Swans

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Red Autumn

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

What Are Your Memories?

An abstract exploration of memory and loss.

Mensbeeld

mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.

Green

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

the birth of the journey before death.

The journey before the inevitable, the clock starts ticking, life begins and ends.

Static Moon

When viewed from far away, life on Earth can seem meaningless. But when a star inhabits a dying girl, they experience the tragic beauty found at the moment when the light goes out.

Lost Then Found

A young girl's odyssey intertwines with a luminescent guide, casting light on her path through life.

the last day i can no longer remember.

An abstract, experimental, personal reappraisal of experiences and crises - the project was the result of an experiment.

MUTATIO

In a desolate world of endless horizons, black-clad figures drift through shifting states of emotion, identity, and self.

The Achalunés

Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.

Autogenic

From the void of space, a cube structure comes to life in this experimental visual music film.

Bag

袋 Fukuro (Japanese for "bag" or "sack") is a 3-minute short film from 2001. It features Pyramid Head and a Lying Figure from Silent Hill 2, the Fukuro Lady, and many monsters from early sketches for Silent Hill 2. The film contains disturbing, surreal imagery.

A Fugue

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Copycat Killer

A visualizer for Phoebe Bridgers' Copycat Killer EP, featuring four songs originally released on the Grammy-nominated album Punisher, with new orchestral instrumentation and arrangements by Rob Moose.

Clandestine

A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.

Living room of the future (FACT edition)

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

Traveler

A raccoon on a voxel boat talks about his job.

It has to be lived once and dreamed twice

In the sixth great mass mortality of the earth, humankind became extinct. Their technology had recently progressed so far as to deconstruct the algorithms of evolution and allow artificial life to develop on Earth.