Like Wildfire (1917)

The Great Gatsby

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy.

The Rescue

After divorcing her husband Kent, actress Anne Wetherall returns to the stage. Upon receiving a plea for help from childhood chum Nell Jerrold begging Anne to save Nell's daughter Betty from marrying Kent, the ex-Mrs. Wetherall decides to journey to the Jerrold's home in the town of Wheaton to investigate.

Anything Once

A Playboy inherits a Western ranch on the condition that he shall run it properly for 6 months. A villain makes an attempt to distract him from reaching the goal, but he, no longer the wastrel of yore, persists and becomes full owner of the property.

Bondage

Dorothy Phillips was starred as Elinor Crawford, a small-town girl who becomes a reporter on a big-city newspaper -- and immediately plunges into the "Bohemian" lifestyle. Assigned to interview a condemned murderer, Elinor must first obtain permission from criminal lawyer Evan Klavert (William Stowell), who happens to hail from Elinor's hometown and who prudishly disapproves of her current mode of living.

The Car of Chance

In his will, Mr. Baird leaves his son Arnold just one seven-passenger auto and a hundred dollars to keep it filled up and in good repair. When James Bennett hears of this, he insists that Baird do something to make his fortune before he can marry his daughter Ruth. Bennett begins by using the car to start a jitney-bus line. This is not terribly impressive to Bennett -- who owns a trolley company -- and he decides he would rather see Ruth married to his controller, William Mott-Smith.

The Charmer

Genuinely sweet natured, Ambrosia Lee loves to help everyone, soothing their sorrows with her cheerful spirit. Her charms are put to the test, when she tries to save her own Aunt Charlotte's marriage. Happily, all ends well, when her Aunt and Uncle are happily reunited.

Caravan of Death

Caravan of Death (German: Die Todeskarawane) is a 1920 silent German film, it was an adaptation of the latter half of the Karl May novel From Baghdad to Stamboul, and is now considered to be lost. The film featured Bela Lugosi playing an Arab Sheik pitted against European travellers in an adventure story set in the Sahara. It was the second of three films released by Ustad based on desert adventure novels by Karl May. Although Karl May’s widow praised the film, critics were unimpressed and it was a commercial failure.

Mutiny

Although Esther Whitaker is in love with Caleb Tilden, her sea captain father demands that she marry his first mate. However, Esther's grandfather encourages her and Caleb to marry in secret. After Grandfather Whitaker's death, Esther discovers she is pregnant. The captain, believing that she has disgraced the family, beats Caleb to death (at least that's what he assumes) and drags his daughter along on the ship. Afraid of the consequences, the captain refuses to go home and eventually the crew mutinies.

The Eternal Question

Pierre Felix, a couturier, makes a $25,000 bet with Ralph Courtland that he can take a girl from the streets, dress her appropriately, and within three months have her accepted into society.

The Grip of Evil

An English nobleman is banished from home because of his attachment to a girl "not of his class." He marries the girl, comes to America with her, and a child, John Burton, subsequently the hero of each chapter of this serial, is born to them. 14 chapters.

The Blinding Trail

Flighty Helen Halverson decides that she wants to marry Big Jim McKenzie, the boss of the logging camp her father owns, after he is temporarily blinded after he crashes his toboggan into a tree in order to avoid hitting Helen. She convinces her cousin Adele--who is actually also in love with Jim--to get him to propose. Jim's sight returns and he and Helen marry, but on the day their child is to be born, he goes blind again. Frustrated by being married to a blind man, Helen falls in love with his assistant Jean Du Bray. Complications ensue.

The Highest Bidder

Society miss Sally Raeburn is left penniless and is helped out by an older woman. The woman makes it clear that to repay her, Sally must marry wealth, so when the very well-heeled Lester comes to her village, Sally goes after him. Lester has been traveling incognito in the hopes that no one will discover him, so when Sally wins him she feels guilty and confesses that she knew who he was all along.

Second Choice

Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.

Being Respectable

Wealthy young Charles Carpenter is pressured by his family to marry Suzanne, even though he is really in love with young "flapper" Valerie. He gives in to his family's pressure, however, and marries Suzanne, after which Valerie leaves town. Years later, after Charles and Suzanne have had a child, Valerie comes back to town and Charles realizes he is still in love with her, and she with him. Complications ensue.

A Broadway Butterfly

Irene, a young girl from a small town, arrives in New York City determined to make it on the Broadway stage. She meets up with Cookie, a worldly chorus girl who takes Irene under her wing. When Irene falls for young Ronald, his rival Crane sets out to break up the pair so he can have Irene for his own--and he doesn't much care how he does it.

My Wife and I

In a wealthy society family, the mother is forced to sit by and watch while her husband and son both compete for the affections of a pretty young temptress.

Eve's Lover

Austin Starfield has his greedy eye on a steel mill belonging to Eve Burnside. He persuades an impoverished count, Leon Molnar to marry Eve so he can then gain control of her fortune.

Shadow of the Law

A young woman is framed and sent to prison for a crime she didn't commit. When she is released, she sets out to take her revenge on those responsible.

The Ghost Girl

This tells of a pretty miss, expelled from a girls' school, who goes in for a harmless adventure. She poses as a slum girl and is taken in tow by a snobbish society girl, who at first befriends and then tries to impose, upon her.

The Walk-Offs

After the divorce of Schuyler Rutherford from his rich wife Caroline, who was his meal ticket, Schuyler's sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her friend, sculptress Mary Carter. Mary offers her friend a job as her secretary and, while working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her.

It Must Be Love

Fernie Schmidt (Colleen Moore) lives with her parents in the rear of their delicatessen. The smells of the business - cheeses, sausages, garlic and pickled herrings - repulses Fernie, who dreams of leaving this environment and moving into a life that's more rarified. Her father, Pop Schmidt (Jean Hersholt) has plans for his daughter to marry Peter Halitovsky (Arthur Stone), a sausage salesman, but Fernie is repulsed by the idea. At a dance, Fernie meets Jack Dugan (Malcolm McGregor), who tells her that he is in stocks, a paper-counter, and she falls for him. Because of her rejection of her father's chosen candidate for matrimony, Pop puts Fernie out of the house.

Happiness Ahead

Happiness Ahead is a persumed lost 1928 silent film drama directed by William A. Seiter and starring Colleen Moore and then husband and wife Edmund Lowe and Lilyan Tashman.

Flirting with Love

When Wade Cameron, chairman of the Better Plays Society, stops the production of actress Gilda Lamont's first stage success, she attempts to revenge herself by affecting another personality and earning his confidence. He assigns her a role in an improvised production of a new play as an unknown actress, derails her attempt to expose him, and ends by winning her heart.

Glass Houses

When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.

The Wall Flower

Idalene Nobbin attends a village dance but, due to the constant nagging of her mother, she believes herself to be a constitutional wallflower. By great luck she gets a dance with college football star Roy Duncan, although Roy has eyes for the village belle Prue Nickerson.

The Silver Slave

Bernice Randall, who has forsaken the love of her sweetheart, Tom Richards, to marry for wealth, turns down Richards' proposal after the death of her husband, and she is denounced by him as a slave to silver. Lavishing the greater part of her fortune on her daughter, Janet, Bernice determines to give her the advantages she herself lacked. Despite her mother's disapproval, Janet scorns the affection of Larry Martin, a life-long friend, after meeting Philip Caldwell, a wealthy sophisticate. Worried over Janet's growing attachment to Philip, Bernice determines to win Caldwell from her daughter, and in a confrontation involving the girl and Richards, now a millionaire, Janet is disillusioned in her mother and Caldwell. Learning of her mother's sacrifice, Janet forgives her and finds happiness with Larry.

St. Elmo

St. Elmo is a man who killed his romantic rival in a brawl. Traveling the world as a confirmed misogynist, St. Elmo returns to home and hearth only to fall in love with the daughter of the local blacksmith. The film is based on the 1867 novel of the same name written by Augusta Jane Evans. Today, St. Elmo is a lost film.

Everywoman

Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.