Haapus (2010)

The Thin Line

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

Are These Our Children?

A tale of juvenile delinquency, about a high-school student neglecting his studies, partying hard, falling in with the wrong crowd and finally finding himself on trial for murder committed during a robbery.

The Secret in the Attic

A beautiful woman marries a wealthy man, who for years chose to be a bachelor inspite of numerous female suitors. At first the marriage is perfect; he’s a loving husband and an enthusiastic lover. But soon the romance cools and the wife discovers that it has to do with a secret kept in the attic, something – or someone – he visits every night, that is changing him from a loving husband into a stranger… Akira Fukamachi directs this erotic and atmospheric drama.

Dis Koue Kos, Skat

When Clara Brand discovers that her husband is cheating on her with her friend and colleague, she plots her revenge, all the while juggling new friendships, new romances and the rediscovery of her passion for food.

Homeless for the Holidays

A smug executive enjoys the perfect life - until he loses his job, and finds himself working at a burger joint. Now he's falling behind on his bills, and if something doesn't change soon, his family could lose everything by Christmas.

The Useless Girl

A teenage girl considered by everybody as "difficult" is sent to the village to live with her grandfather.

Bach - A Christmas Miracle

Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.

Thank You, Mr. President: Helen Thomas at the White House

This documentary profiles iconic journalist Helen Thomas who has held a front-row seat at White House press conferences for more than 60 years.

In the Aftermath

In a radiation-soaked wasteland, two surviving soldiers, Frank and Goose, search for essential supplies amid the rubble. After a violent confrontation, Frank is haunted by visions of an angelic young girl holding a giant egg, herself a refugee from another world altogether. Could the egg be the key to saving both their world?

Thirty Two

December 1944, 24-year-old Wei Shaolan and her 1-year-old daughter were seized and sent to a Japanese camp, where Wei was forced to work as a 'comfort woman' -- a woman forced into prostitution for Japanese servicemen during World War II. Despite being physically and mentally abused, Wei unbelievably escaped the heavily guarded 'Comfort Station' pregnant, shamed, and unsure of what fate awaited her return home. This documentary presents the true legendary story of Wei Shaolan and follows her traumatic and courageous journey from forced prostitution to life today with her Japanese son. 'Real Heroes' are people who can face life bravely even after a tormented life, and Wei's story offers inspiration to those faced with seemingly hopeless adversity.

Where We Belong

For Alyssia and Ilaria, every farewell is also a reunion. Just a while ago they were at the Italian Mediterranean coast, now here they are standing at a parking lot in front of an Esso gas station, waiting for their father’s car to appear around the corner. Affectionately, they bid their mother good-bye for now. The two sisters’ parents are separated. Just like Carleton, Sherazade and Thomas, the two girls have found their own way of dealing with the situation.

A Boy Inside the Boy

The story is told through the eyes of a boy, how he wanders between reality and dream. His daily life is transformed to a surreal world through the unique sensitivity of boyhood.

The Petty Girl

An artist famous for his calendar portraits of beautiful women becomes fascinated by a prim and proper professor and tries to get her to pose for his arwork. She declines his offer, but he's determined not to take no for an answer.

Peeping in a Girl's Dormitory

Tina Krause, who’s a teacher or something, leads Misty Mundae and Ruby LaRocca into their new flat, which looks like a house outside and like a basement inside. She gives them very strict rules : no smoking of any kind, no homosexual activity, well, everything that any good teacher would ask of her students in real life. Of course, as soon as she leaves, Misty and Ruby smoke a joint then proceed to make out on the bed. But, you see, Tina just pretended she left. So, after watching them for a while, she bursts on the scene and, in order to teach them the errors of their ways, forces them to disrobe then to take a bath and make out some more while she watches again.

Holiday Camp

The Huggett family go to a holiday camp, and get involved in crooked card players, a murderer on the run, and a pregnant young girl and her boyfriend missing from home.

The Tormentor

Two boys who are skilled fighters take the oath as brothers by inscribing .

Pero… ¡en qué país vivimos!

Antonio Torres, a serious singer of Spanish popular music, and Bárbara, a vivacious yé-yé singer, face off in a chaotic contest promoted by Rodolfo Sicilia, an overworked publicist.

Losing Lerato

Thami has recently lost his job at a top firm following accusations of fraudulent activities. This is the last straw for his wife Noluthando who, fearing a drop in her standard of living, abandons her marriage, taking their daughter Lerato with her. Thami is desperate to maintain a relationship with his daughter, while Noluthando does everything in her power to ensure that Thami is denied access to Lerato. After exhausting all known avenues, and desperate to be reunited with his daughter, Thami kidnaps Lerato from school, intending to flee Johannesburg for Kimberley by bus. This is an ill-conceived move which angers Noluthando and puts him on a collision course with the law. Thami’s actions put his life, that of Lerato and their fellow passengers in danger and leads to a high-stakes hostage situation on the bus. Then a shot rings out…

Vite

In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive

2017 Sundance Film Festival Short Film Tour

Fueled by artistic expression and limited only by their runtime, short films transcend traditional storytelling. They are a significant and popular way artists can connect with audiences. From documentary to animation, narrative to experimental, the abbreviated form is no longer just for the novice. Shorts have and will continue to be an important part of cinema, storytelling, and culture. The Sundance Film Festival has always been proud to treat short films with the highest regard and to give a home to new (and old) projects for audiences to discover and celebrate.