I, Apostate (2018)

Locations: Looking for Rusty James

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

The Short Films of David Lynch

This collection of David Lynch's short films covers the first 29 years of his career. Four of his earliest underground films—Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974)—are showcased, as well as two works from further into his career—The Cowboy and the Frenchman (1988) and Premonitions Following an Evil Deed (1995)—which were originally released as segments of anthology projects. Each film is given a special introduction by the director.

Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'

An experimental and poetic portrait of a woman.

The So-Called Caryatids

Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.

Religulous

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

Desolate Rome

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

The Water Map

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.

6-18-67

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

The March on Rome

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

The Game of Love

A young woman and man are riding bikes through nature, having a good time. When she speeds up, he loses her, and after a while he stumbles across her bike without any trace of her. He stumbles through the forest looking for her, imagining how she kisses him. No dialogue, just "audio credits" instead of titles, saying the name of the film, actors and director.

In the Intense Now

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

The Bomb

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

PLEH

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.

Everyday Maneuver

Everyday Maneuver is a video that presents the viewer with an unrealistic scenery. Shot from a drone, it shows a city at daytime, but there isn't a single human being in it. What seems disconnected from everyday life, and as artificial as a landscape created with computer graphics, is in fact a recording that was made during one of the annual "Wanan Air Raid Drills" that have been implemented in Taiwan since 1978.

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Men Boxing

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Baa Baa Land

An eight-hour contemplative epic, entirely starring sheep.

Blow Job

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

F for Fake

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

The Green Fog

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

The Future Tense

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

Terra incognita

Plot unavailable

Carthage

While seething mobs converged around them, the Prophet Joseph and his brethren quietly submitted themselves to imprisonment in Carthage Jail. Now, as never before, audiences are invited to witness the events of the days preceding the martyrdom. Based on documents handed down through the generations, Carthage offers a glimpse into the turmoil and testimony of the men whose place in history was forever defined by what was to come - a jailer seeking to protect his charges, a governor caught between the persecuted and their persecutors, and a group of Saints whose faith and brotherhood stands as the ultimate witness of the restoration of the gospel of Jesus Christ.

Chumlum

Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. It is a record of a cadre of creative people having fun on camera, playing dress-up, dancing, flirting, lazing around.

The Nine Muses

Part documentary, part personal essay, this experimental film combines archive imagery with the striking wintry landscapes of Alaska to tell the story of immigrant experience coming into the UK from 1960 onwards.

Metropia

Plot unavailable

Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church

In this re-worked and expanded version of the original 2018 film, two queer ex-Mormon missionaries embark on a transformative journey across America, uncovering the devastating effects of religious dogma on LGBTQ+ members and former members of the LDS Church, as a single, intimate conversation –spanning from childhood to adulthood– unfolds over the course of seven chapters.

My Husband's Not Gay

In Salt Lake City, Utah, seven Mormons live their lives a little differently. The men (Jeff, Pret & Curtis) are attracted to their wives (Tanya, Megan & Tera), but they are also attracted to other men. They refer to it as Same Sex Attraction...not gay, SSA.

C-Film

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.