America; I Too (2017)

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A Stranger in Her Own City

A documentary short that follows a 13-year-old girl named Nejmia, who lives in Sana’a and refuses to wear the veil.

Le char funèbre

An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)

Chicago, Grande Roue

A view of the Ferris wheel from the Chicago Exposition of 1893, turning slowly.

Toulouse, rue Alsace-Lorraine

A street scene in Toulouse. Catalog no. 157.

Cheval de haute école, II

A man trots around on a horse for the camera.

Cherbourg: Entrée des souverains russes et du président de la République sous le hall

Sovereign Nicholas II, Alexandra Feodorovna and President Félix Faure, walking by, followed by their respective escorts.

Leningrado, Linha 41

Plot unavailable

Sudan's Forgotten Films

Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?

Charles Santore Illustrates The Wizard of Oz

Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Salmon

Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.

Radeau avec baigneurs

Young people dive into the sea by jumping off a manmade wooden raft, while a small boat loaded with passengers passes by.

Mur Murs

Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.

With Sea Views

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

Just a Guy

Three women contemplate their relationship with convicted serial killer Richard Ramirez.

Becoming

This minimalist six-minute film looks at the creation of animal life through video and time-lapse footage of an embryo’s development – a process universal to all animals, including people. The film follows, in microscopic detail, the development of an alpine newt in its translucent egg all the way from first cell division to moment of hatching.

Un chico de portada: el arte de Macario Gómez

Macario 'Mac' Gómez talks about his long career as a film poster designer.

Habitar

An oneiric moment in the contradictory sensations that arise when experiencing the COVID-19 pandemic.

Camera Obscura

A movie projectionist reconstructs his memory through movies.

Crazy Money

What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …