Rossini: Il Barbiere di Siviglia (2016)

Silentium

A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.

Rossini: Il Barbiere di Siviglia

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.

Don't Look Now... We're Being Shot At!

During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.

Strangler vs Strangler

When it comes to crime, Belgrade is same as any other modern metropolis, except for having its own serial killers. That blank is filled when a flower salesman begins strangling women. A popular, but very disturbed rock star soon becomes telepathically connected with the killer.

Moonstruck

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

Strictly Dishonorable

A womanizing opera star is smitten by a young music student.

The Magic Flute

During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.

Don Pasquale

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Hannah and Her Sisters

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Die lustigen Weiber von Windsor

When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.

The Metropolitan Opera: Agrippina

As the imperious title empress, mezzo-soprano Joyce DiDonato leads the Met premiere of Handel’s tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.

What's Opera, Doc?

Bugs is in drag as the Valkyrie Brunhilde, who is pursued by Elmer playing the demigod Siegfried.

The Metropolitan Opera: L'Elisir d'Amore

Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.

The Bartered Bride

Frantisek Filip film version of the Smetana opera.

Orphée aux enfers

Marc Minkowski conducts the Orchestra and Chorus of the Opera National de Lyon in this 1997 production of Offenbach's opera starring Natalie Dessay, Yann Beuron, Jean-Paul Fouchecourt and Laurent Naouri.

The Magic Flute

Tamino, a handsome prince, and Papageno, a bird-catcher, are sent by the Queen of Night to rescue her daughter Pamina from captivity under the high priest Sarastro. Julie Taymor's abridged, English-language production of the classic Mozart opera.

Meeting Venus

Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.

Black Tights

Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen.

Ballerina

In 1879 Paris, a young orphan dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house.

Yes, Giorgio

A famous opera singer, Giorgio Fini, loses his voice during an American tour. He goes to a female throat specialist, Pamela Taylor, whom he falls in love with.

Magical Maestro

After he is rejected by the Great Poochini as an opening act, Mysto the Magician gets his revenge by conducting his next operatic performance.

Falling for Figaro

A brilliant young fund manager leaves her unfulfilling job and long-term boyfriend to chase her lifelong dream of becoming an opera singer in the Scottish Highlands.

La Cenerentola

The Prince, Don Ramiro (who has changed places with his valet, Dandini), meets Cenerentola and they are instantly attracted to each other. When the Philosopher, Alidoro, later takes Cenerentola (dressed in magnificent clothing) to the palace, Dandini (still posing as the prince) tries to talk of love to her, but Cenerentola rejects him, saying that she is in love with his 'valet'. Ramiro, who has overheard this comment, is overjoyed, and immediately proposes to her, but Cenerentola says that he must first seek her out and then, if he still felt the same way, she would marry him. She gives him one of a matching pairs of bracelets, telling him to look for its companion on her right arm (she then leaves the palace). Ramiro ends the masquerade, and he and Dandini resume their true identities. The Prince then sets out on his quest - little realising that destiny, in the form of a violent thunderstorm, is about to take a hand in the affair.

Marguerite

Paris in the 1920s. Marguerite Dumont is a wealthy woman with a passion for music and the opera. For years, she has performed regularly for a circle of guests. But Marguerite sings tragically out of tune and no one has ever told her. Her husband and her close friends have always encouraged her in her illusions. Things become very complicated the day she gets it into her head to perform in front of a genuine public, at the Opera.

Les contes d'Hoffmann - Opéra Bastille novembre 2016

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Candide

Leonard Bernstein's brilliant comic operetta comes to dazzling new life under the guidance of director Lonny Price (A Class Act). Based on the classic Voltaire tale of an innocent young man's journey through a life filled with colorful characters and unexpected life lessons, this tune-filled frolic features Tony Award-winners Patti LuPone and Kristin Chenoweth heading a dazzling cast with Paul Groves, Stanford Olsen, Sir Thomas Allen and the Westminster Symphonic Choir. The impeccable score (with lyrics by luminaries including Lillian Hellman, Dorothy Parker, Stephen Sondheim, Richard Wilbur and John La Touche) includes a host of delightful songs such as "Life Is Happiness Indeed," "It Must Be So," "You Were Dead, You Know" and "Make Our Garden Grow." Now enjoy this all-new production of a musical comedy favorite with Broadway's top stars!

The Tales of Hoffmann - Teatro Regio di Parma, 1988

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Sauce for the Goose

John Constable, a writer, falls prey to the designs of scheming widow Margaret Alloway to the dismay of his young wife Kitty. Feigning interest in John's work, the widow offers to collaborate on his new book, Women's Struggles , but when she convinces him to dine with her on Kitty's birthday, the neglected wife decides to retaliate. After attending the opera with handsome bachelor Harry Travers, Kitty accepts an invitation to share supper in his rooms, leaving a note for her husband. Aware of Harry's questionable reputation with women, John panics, but by the time he arrives at Harry's apartment, Kitty has disappeared. Following a series of incidents in which the widow, her suitor Teddy Sylvester, Travers, and the Constables are discovered in compromising situations that actually are innocent, John realizes that he far prefers Kitty to the widow and again becomes a loving husband.

L'Elisir d'Amore

John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.