Verdi: Aida (Bregenz Festival) (2010)

Beethoven: Fidelio

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, David Butt Philip plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime.

Falstaff

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Maria Callas in Concert - Hamburg 1959 and 1962

The 1959 concert finds Callas just 1 year before the loss of her voice and although her voice is not what it was in 1952 you can still hear the Vocal Miracle. The repertoire interchanges between heavy dramatic soprano (Lady Macbeth, Elisabetta), to soprano coloratura (Rosina) and to soprano dramatico d'agilita (Imogene in Pirata, Gulia). The maturity of the interpretation regarding the legatti, the phrasing is astounding and Callas dominates each aria singing them in the only possible way. "Tu che invoco" appears as a cataract of dramatic phrases in a fine classical style of this classical period opera, then Lady Macbeth appears diabolical & dark although she avoids keeping her voice in the high C, her Rosina is sparkling and facile in the coloratura as if it is a natural way of speaking and Elisabetta is where time stops: the drama in this aria holds a metaphysical aura. Finally her entire Mad Scene from Pirata shows all her talent as an actress and bel canto singer.

Donizetti - La Favorite

Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players.

Opéra National de Paris: Castor et Pollux by Jean-Philippe Rameau

A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?

Puccini Festival, Torre del Lago - Turandot

Recorded on the 13th. of August 2016 in the city Torre del Lago doing the Festival Puccini at the Gran Teatro Puccini venue.

Royal Opera House: Macbeth

Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.

The Marriage of Figaro

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

Mea Culpa – A ReadyMadeOpera

In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

Amadeus

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Rigoletto

Live performance at Opernhaus Zürich in 2006. Nello Santi conducting Orchester der Oper Zürich and Chor der Oper Zürich. Directed for the stage by Gilbert Deflo.

Arnold Schönberg: Moses und Aron

Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in co-production with the Paris Opera, Bel air Media and Arte, with support from the CNC.

The Phantom of the Opera

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

The Metropolitan Opera: Hansel and Gretel

This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.

Massenet: Thaïs

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

Andrea Chénier

Andrea Chenier is a poet during the French Revolution. He and Maddalena are in love. Gerard, former servant in Maddalena's house, denounces them to the Tribunal, but recants it too late. The lovers go to the guillotine together.

Love Me Forever

A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.

Carmina Burana: Dancing in Defiance

A live recording of Carl Orff's world-famous musical masterpiece Carmina Burana, performed by more than 100 singers and dancers of the National Opera and Ballet of Ukraine (Odessa).

Show Boat

Hammerstein and Kern’s Show Boat is a true classic of American musical theater - a tale of life on the Mississippi from the 1880s to the 1920s is both a poignant love story and a powerful reminder of the bitter legacy of racism. The exuberant production from the San Francisco Opera features songbook classics such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man”.

Carmen Get It!

Jerry runs into the Metropolitan Opera, trying to evade Tom.

The Cat Above and the Mouse Below

Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.

Lucia di Lammermoor

Live from the Teatro Carlo Felice di Genova 2003

That Girl from Paris

Nikki Martin, a beautiful French opera star, stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader, who, after hearing her sing, eventually comes to reciprocate her feelings.

Rusalka - Opera Ballet Vlaanderen

More than anything in the world, Rusalka, a mysterious and elusive water nymph, yearns to become human to win the heart of a young prince. But this metamorphosis comes at a price: she will lose her voice and be damned forever should their love story fail. Rusalka, a lyrical fairy tale inspired by The Little Mermaid and Undine, is Dvořák’s penultimate work and one of his greatest successes. In Opera Ballet Vlaanderen’s production, Norwegian director and choreographer Alan Lucien Øyen adds a new dimension to this masterpiece of the Czech repertoire by representing the main characters on stage twice: by a singer and a dancer. This doubling reinforces the opera’s deeply dreamlike nature. The impressive South African soprano Pumeza Matshikiza embodies the character of Rusalka, while the Lithuanian conductor Giedré Šlekytė leads the orchestra with brio and intensity.

Wagner - Lohengrin

Wagner's Lohengrin is the mythical tale of the mysterious Knight of the Grail, who appears to defend the princess Elsa - wrongly accused of the murder of her brother. Highlights of Wagner's most lyrical score include the famous Wedding March, which accompanies the marriage of Lohengrin and Elsa. Superstar tenor Jonas Kaufmann ("currently the hottest tenor in opera" - The New York Times) makes his role debut in this performance from 2009 and filmed in Munich. He is joined by German soprano Anja Harteros - a former winner of the prestigious Cardiff Singer Of The World competition.

Wagner: Das Rheingold

In the words of the prestigious German weekly 'Die Zeit,' the stage production of Wagner's 'Rheingold' and 'Walküre' by La Fura dels Baus 'quite possibly shows us the path that musical theater will be taking in the future.' There's no doubt about it: the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular new theater designed by Santiago Calatrava, but also with its visually transfixing production of Wagner's 'Ring' staged by Carlus Padrissa and his theater group La Fura dels Baus.

Wagner: Die Walküre

It has been a long time since the events of Das Rheingold. Wotan has fathered nine Valkyries, warrior women who bring dead heroes to Valhalla (the castle of the Gods). Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

Wagner: Siegfried

Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

Wagner: Götterdämmerung

Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

Tosca's Kiss

Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. This documentary, which has achieved cult-like status among opera and music lovers, features former singers who reminisce about their careers and their past operatic roles.

Verdi: Aida

Early recordings of Franco Zeffirelli's 2006 production of Verdi's opera which saw Roberto Alagna's high-profile exit during the second performance. Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida.

Le comte Ory

Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.

Król Roger

The story concerns the enlightenment of the Christian King Roger II by a young shepherd who represents pagan ideals. Kasper Holten’s production (The Royal Opera’s first) of Król Roger (King Roger) brought the opera back to the London stage after an absence of almost 40 years. Karol Szymanowski’s masterpiece powerfully presents the dilemmas of culture versus nature and man versus beast, and movingly depicts King Roger’s inner struggles as he moves from an impossible life of repressed desires to the other extreme, giving in to his own demons. Meanwhile, Roger’s people, seduced by the promises of the mysterious Shepherd, are drawn towards totalitarianism and repression. Antonio Pappano conducts Szymanowksi’s opulent and beautiful score, with a cast including Mariusz Kwiecień as Roger (one of the greatest interpreters of the role today), Saimir Pirgu as the Shepherd, and Georgia Jarman in her Royal Opera debut as Roger’s loving queen Roxana.