Summer (2017)

Hermitage

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

Islands

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

Ground Control

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

A Thought of Ecstasy

August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.

60 Seconds of Solitude in Year Zero

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Meshes of the Afternoon

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Dropout

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

69SEC

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

Blow-Up

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Finds Itself in Corners

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

The Mysteries

"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding. In this lies the mystery. All else is irrelevant. That there are other sub-currents of equal power in The Mysteries goes without saying; and, those who are capable of the numerous visual visitations and annunciations which the film offers them will realize what is the Ultimate Mystery of my work."

Progressive Touch

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

In Dreams

A couple stroll through a wintry landscape - Is this a dream? Is this Heaven?

Rabbits

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.

Death is a Woman

The personification of Death's love for a lonely man is challenged when he falls for a lively woman.

Masked

An average working man who is alone in a world of deception finds himself in a marriage of convenience.

Luz

Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.

Cameras Pointed Straight into the Sun

Two criminals take a trip up the coast of California. As they arrive at a small town- what should just be a small stop on the way- one of them begins to feel as though they've been their before.

Shatanger Aylok

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.

The Oregonian

A girl gets in a car accident and wanders through the woods, encountering all kinds of nightmarish things.

Metamorphosis

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

Song to Song

In this modern love story set against the Austin, Texas music scene, two entangled couples — struggling songwriters Faye and BV, and music mogul Cook and the waitress whom he ensnares — chase success through a rock ‘n’ roll landscape of seduction and betrayal.

Decoder

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

Wedlock House: An Intercourse

We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his reflection in the window, she closes the drapes. After sex, again in a black and white negative, they sit, smoke, have coffee. They kiss, she smiles. They light candles. The images are often quick, the camera angles occasionally are off kilter; the room is sometimes dark and sometimes lit, as if lit by the rotating of a searchlight. The images again appear in negative when they return to bed.

Touki Bouki

Mory, a cowherd, and Anta, a university student, try to make money in order to go to Paris and leave their boring past behind.

Last Love

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

WINDER

Preferring to shower with clothes on, they wait patiently for an evening with Winder, a living movie camera. Made as an exercise activity for Capilano University.

Eden and After

A group of French students are drawn into the psychological and sexual games of a mysterious man called Duchemin. Once they sample his "fear powder" the students experience a series of hallucinations.

The Love of Zero

While playing his trombone one Sunday, the enthusiastic Zero sees Beatrix and falls in love. He returns the next week to express his feelings, and it's mutual. Over the next few months, they spoon, kiss, and find happiness. Then, she receives a letter from Kabul, demanding that she return to the palace of the Grand Vizier. The lovers part, heartbroken. Zero tries expressing himself to a woman on the street. He meets derision. Then, news of Beatrix. Does this romance end in smiles or tears?

A White Butterfly on a Bus

She plays an actress. He works as a filmmaker. We are making a film in Xining, Qinghai, China. She says that this is the furthest place that she's ever been from home. As days go by and under the pressure from the production, we start to wander on the border of life and fiction.

Non Plus One

A young writer struggling to create a good story meets a cute waitress and imagination and fantasy blossom.

Light From the Tower

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

Night of Pan

A magician encounters the void that separates the human mind from divine consciousness and in turn faces the mad god.

The Parrot (Papagajka)

A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.

Deux fois

Raynal stars in this experimental film, her first as a director; she had previously worked for several years as a film editor, most notably for films in Éric Rohmer's "Six Moral Tales" series (she was, reportedly, the youngest professional editor in France at the time). The film's title, which literally translates as Twice and is sometimes translated into English as Twice Upon a Time, refers to the occasional repetition of scenes or actions.

Endless

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

In My Mind

A woman is plagued by her overactive imagination.

Antiporno

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

Laura

Three showgirls playfully mock the audience for attending a projection of an art film.

Empty Quarter: A Woman in Africa

A man invites a woman to share his room in a hostel and gradually falls in love with her.

Sleep Has Her House

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

Hinterlands

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

Chinese Checkers

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

The Green Ray

A Green Ray that never features. Instead, we sense it, seeing beyond our own eyes, beyond the hills, we sense it for an instant. We are plunged into the unknowable, beyond the horizon, beyond seeing altogether. In a single, virtuoso 11 minute take, Barley takes us from lush sunsets. to beyond the green ray, and into the gloaming, into the heavy night's darkness, where we, transfixed, can do nothing but await the impending storm.

Estrelas

Plot unavailable

Shirking; Shrieking Specter

Still it's really tall. Still it's really floundering/falling/fading.

No Skin Off My Ass

A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.