Escape From Rented Island: The Lost Paradise of Jack Smith (2017)

We Can Be Heroes

Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.

Untitled (Pink Dot)

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Mother Saigon

In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.

Pelle vegetale. Un'intervista

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How God Created Us: Coming Out in the Catholic Church

125 employees of the Catholic Church come out as queer! In the exclusive ARD documentary, believers in the service of the Catholic Church in Germany dare to go public together. People who identify as non-heterosexual talk about fighting for their church - sometimes at the risk of losing their jobs as a result. There are priests, religious brothers, parish assistants, diocese employees, religion teachers, kindergarten teachers, social workers and many more who report intimidation, denunciations, deep injuries, decades of hide and seek and double lives. The Catholics report a system in which pressure, fear and arbitrariness leave employees uncertain as to what exactly happens when they stand by their sexual orientation or identity. The investigative documentary listens to those who live their faith every day and are nevertheless degraded by the church as an institution.

The 99 Names of God

Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.

Letter in Motion to Gilles Jacob and Thierry Fremaux

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

There are things in this world that are yet to be named

"There are things in this world that are yet to be named" centers around Solanum plastisexum - an Australian tomato whose sexual expression is unpredictable and unstable, challenging even the fluid norms of the plant kingdom. Footage of the team of botanists who recently used their Solanum research to explode notions of sexual normativity in any plant or animal is combined with a voiceover of letters sent between science writer Rachel Carson and her lover Dorothy Freeman. "There are things in this world that are yet to be named" is a meditation on erasure, indefinability, and the intersection of queer and environmental histories.

To Be Sound is to Be Solid

When artist Erin Johnson and film editor Charlotte Prager moved into a seaside house in 2021, they knew only a handful of facts about the two women who designed and built it in 1971. The two women - art collector Mary-Leigh Smart and artist Beverly Hallam - were exacting about their specifications for the house, and they lived there together for over forty years. In "To be Sound is to be Solid," the filmmakers venture to decipher the house's opaque queer history by studying its complicated and circuitous floor plan. "To be Sound is to be Solid" is a film of layered intimacies and vicarious encounters. By investigating indefinability, erasure, and transparency in queer archives and scientific research, the film builds connections between lesbian, architectural, and environmental histories.

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Viola Chinesa

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

Lake

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

Jeune femme à sa fenêtre lisant une lettre

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»

The Unicorn

Peter Grudzien is the lone musical force behind The Unicorn, an openly gay country music album. With the same rawness of a life full of ups and downs, The Unicorn, the movie, follows his personal and artistic journey, which includes mental problems and a peculiar and chaotic family.

Corrupt Colour

Corrupt Colour follows childhood friends and self-proclaimed internet pop-stars, Emily and Gia as they set up their first live concert but their delusions of grandeur are compromised when the live show of their dreams becomes a nightmare. The show must go on and with the help of their closest friends, irreverent leads Emily and Gia are forced to reckon with their true place in the public eye. With poignant lyrics, loud personalities, and unique creative decisions, Emily and Gia take us on a hilarious and melancholy journey through identity in the digital age that leaves us all asking "who am I trying to be?"

Delimitation

A dancer moving through a city seeking a space in which to exist.