Ultraviolet (2018)

The Mystery Cruise

"The Mystery Cruise" centers around best friends and impending business partners, Alvirah Meehan (Gail O'Grady), a lottery winner turned amateur sleuth, and Regan Reilly (Michelle Harrison), a private investigator. After rescuing the diamond-collared pooch of a wealthy socialite (Carol Higgins Clark), the two heroines set off with their spouses to join Regan's mom, Nora Reilly (Colleen Winton), a world famous mystery writer, on a luxurious three day cruise around the San Juan Island off the coast of Washington. The cruise serves as the setting for a mystery game created to promote the release of Nora's latest book. As the boat calmly sets sail, everyone is enjoying getting into character, especially Alvirah, who may or may not be the games "murderess." But troubled waters lie ahead when Alvirah gets a hunch that a real killer may be on board and, together with Regan, the pair teams up to solve the high seas whodunnit.

The Bridge in the Jungle

Gale (Charles Robinson) is an idealistic and naive young hunter who ignores warnings that no one can survive for long in the jungles of Mexico except the native Indians. He tries to hunt crocodiles but becomes delirious, disoriented and nears death. Sleigh (John Huston) is a veteran hunter living among the natives who rescues Gale just in time. As he recovers in the Indian village, Gale listens to Sleigh's denunciation of the evils of modern society (ie. money, greed and oil). Later on, a former native of the village returns from the oil fields of Texas and presents his young brother with a pair of cowboy boots. Proudly wearing his new boots, the boy falls off the wooden bridge into the river and drowns as the boots, symbolic shackles of civilization, fill up with water and pull him beneath the surface. Sleigh and Gale observe the Indians as they recover the body and stage an elaborate funeral for the dead boy

Discopříběh

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Das (perfekte) desaster Dinner

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The Erotic Man

The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously his most personal and most provocative film. A film about growing older, about losing, about the special moments one remembers, and about the director's own circling around the essence of eroticism.

The Yellow Island

11-year-old Ena meets a young fisherman in a port. He gives her an eel and they arrange to meet the following Sunday on the other side of the lake. She has to be there.

Méditerranée

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT

Lucie, après moi le déluge

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Brooklyn Bound

Sean deals drugs but can he prevent his younger brother from following in his footsteps?