The Last Macedonian - Road to Extinction (2015)

Pavlos Melas

The military action of a Greek officer, Pavlos Melas, for the liberation of Macedonia from the Turks and Bulgarians. A story stick to the facts for the heroism and sacrifice of the Greeks. Pavlos Melas is the symbol of the struggle for the independence of Macedonia in Greece.

Honeyland

When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

Before the Rain

The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.

Frosina

The first Macedonian Movie from 1952- Frosina is one of the many Macedonian wives whose husbands are economic emigrants abroad. Marriage does not bring them a family, only the burden of life itself. After her husband's short visits, she gives birth to children who do not live long because of the poverty into which they have been born. She gives birth to them alone, and she buries them alone. Only her last child, Klime, survives all his various illnesses and grows up to be her one joy in life. The war breaks out...

DJ Ahmet

15-year-old Ahmet, from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else.

You Won't Be Alone

In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant's shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.

Mirage

As Macedonia faces its difficult transition, a boy escapes into a world of his own creation.

How I Killed a Saint

A promising debut feature tells the story of a young woman returning from America to discover the realities of life in Macedonia, that looks as if it will explode with all the soldiers, corrupt crooks and terrorist idealists.

Living room of the future (FACT edition)

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

One of Many

Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.

Mrs Brown

When Queen Victoria's husband Prince Albert dies, she finds solace in her trusted servant, Mr. John Brown. But their relationship also brings scandal and turmoil to the monarchy.

The Battle of the River Plate

In the early years of the World War II, the Royal Navy is fighting a desperate battle to keep the Atlantic convoy routes open to supply the British Isles, facing the great danger posed by the many German warships, such as the Admiral Graf Spee, which are scouring the ocean for cargo ships to sink.

No Kidding, Me Too!

Joe Pantoliano makes his documentary directorial debut with NO KIDDING! ME 2!! as part of his fight against the stigma and shame of mental/brain "dis-ease" (or disease).

24 Behind the Scenes: The Editing Process

Join the cast and crew for a probing look behind the scenes of the popular US drama series. Keifer Sutherland introduces the programme, which includes in-depth interviews with creators, producers, actors, writers and editors as well as an in-depth exploration of the editing process.

THE HUMAN FUTURE: A Case for Optimism

What is the future of humanity? It might seem bleak, but the case for optimism is strong. Humanity has what it takes to reach transcendent futures.

aka Mr. Chow

With his signature circular glasses and mustache, Michael Chow is an exuberant force at the crossroads between eccentricity and sophistication. The famed restaurateur defined “The Moment” with the openings of Mr. Chow, the bustling upscale Chinese eateries that attracted the glitterati of Swingin’ London, 70s Hollywood, and post Studio 54 New York.

Marvel Studios Assembled: The Making of the Guardians of the Galaxy Vol. 3

Join visionary director James Gunn and superstars such as Chris Pratt and Zoe Saldaña as they recount how “Guardians of the Galaxy Vol. 3” was conceived, shaped, and delivered to the world. And stand alongside the cast and crew in the emotional final moments of the shoot as they bid farewell to each other, and close this chapter in the saga of Peter Quill and his loveable band of misfit-warriors.

Marvel Studios Assembled: The Making of Secret Invasion

Through in-depth interviews with cast and crew, and exclusive behind-the-scenes footage, Assembled uncovers how Marvel Studios’ “Secret Invasion” was born. Witness what it took to conjure the world of the show, and spend time with Samuel L. Jackson as he dons the patch once again to engage in the most baffling battle of Nick Fury’s career.

Fields of Gold

A. E. Staley went from growing up barefoot on a farm in North Carolina, to building a billion dollar agribusiness giant. He was the original owner of the football team that eventually became the Chicago Bears.

VIDA

Vida is a documentary retracing the creation of the mixtape "vida". A musical project filmed by a young film student in the city of Lyon. The documentary is shot over 11 months.