Il Trovatore (2010)

Luisa Miller

As the release of the ‘Tutto Verdi’ series from the Teatro Regio progresses, one has begun to have fears that the later Verdi operas will fail to measure up to the standards that have been set on DVD by productions from international houses across the globe. The issues of the early and middle period Verdi works have been welcome, because these pieces are so rarely encountered in the opera house; but with Macbeth and Luisa Miller we are coming to operas that have been performed by major artists in major productions with superb orchestras and conductors.

Cruel Train

In wartime England, a railway official learns that the chairman of the line had sexually abused his wife as a child, then given him the job so he could continue having sexual access to her. The husband and wife kill him together, but are seen by a train driver, who also has problems of his own. The wife tries to divert suspicion by implicating another driver and befriending the witness, but it doesn't go that smoothly.

Techno Brothers

The band "Techno Brothers" played by Watanabe, brother Watanabe Yuji and pal Kurosaki Takanori, go to find fame and fortune in Tôkyô. It’s more accurate, though, to call it their manager’s plan. Named Himuro, she channels the look and attitude of famed Vogue editor Anna Wintour, from her bobbed hair and ever-present sunglasses to her commanding air and iron will.

Sunken Plum

Working at a nightclub in Chengdu, a transgender Chinese woman receives an unexpected visit from her cousin informing her that the mother she has brushed aside, has died. As the only "son", she feels obligated to return to her birthplace for the sake of her family, even though she'll have to hide her true self from those that once shared her past.

Moon Lake

In suburban Michigan, in the mid-2000s, Tess, a reserved and strange middle schooler, stains the floor at a sleepover.

The Womaniser

After a series of ill-fated romantic entanglements, The Womaniser finds himself cursed by a vengeful force. As he grapples with the consequences of his actions, eerie and inexplicable events unfold around him, blurring the lines between reality and the supernatural.

Walking Down the Place of a Skull

Two people in love will find a hut in the woods that they decide to sleep in. The cottage is located on the shore of a lake and beautiful views is just a shadow of an ax stuck in the executioner's block of wood near the house. When they wake up one morning, they see a peacock and the cottage has been transformed into a beautiful palace...

Between Them

A very jealous man, convinced that his wife is cheating on him, hires a private detective to follow her. Soon after, the detective develops a strong attraction to her target.

À dix minutes de nulle part

The Stievenart family decides to spend their vacation far away and puts an ad on the internet. The Mailon family responds by offering to exchange homes. But the Stievenart family has an environmentally friendly house, while the Mailons consume a lot of energy.

Pistoleros

In this modern-day western, rumor has it that notorious gangster Frank Lowies hid millions in cash before getting tossed in the slammer. Going on little more than cryptic tattoos on a sexy stripper's body, every gunslinging scoundrel in the desert hot town of Copenhagen is on the hunt, their brows dripping with sweat and blood, and their pistols blazing in unflinchingly graphic showdowns -- but where the hell is the money?

Ahmed, The Prince of the Alhambra

It is springtime for everyone. However, Prince Ahmed - a fine young boy living in the most wonderful palace existing, does not rejoice over it. On the contrary, he drags along languidly from one lesson by Eben Bonabben, his wise tutor, to another. Today, it cannot be denied that Ahmed is very learned: he knows everything about everything, including talking with birds. No, not everything mind you. There is ONE realm that is not his: the kingdom of the heart. The reason is obvious, although unknown to the prince himself. On the day of his birth, the astrologers of the court predicted that terrible disasters would arise if Ahmed should ever find love.

Pláč svatého Šebestiána

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The Devil Wears Ju-Ni Hitoe Kimono

Rai, a frustrated student and part-time labourer, is wandering home after setting up a museum exhibition on the classic novel "The Tale of Genji". There is a blinding flash of light and he finds himself mysteriously time-slipped into the Heian period, the setting for the famous novel. Armed with a pamphlet on the history of the period and a bottle of headache tablets he passes as an onmyoji (magical protector of the capital) and is hired by the emperor’s wife Nyogo Kokiden. Fearless and coldly analytical she plots to have her son take over the Emperor’s position. Rai is expected to help. This light-hearted historical fantasy is a treat for lovers of sumptuous kimono.

Alte Bande

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I Remember

The memories of Guiga, from early childhood to young adulthood: his family, relatives, friends, fears, dreams and reality in a still provincial city of Salvador, Bahia, from the 50s to the 70s.

Gondoltam leírom

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Hantu Kak Limah 2: Husin, Mon dan Jin Pakai Toncit

After the events of "Hantu Kak Limah Balik Rumah", Husin returns to his village in order to deal with his money problems - which he has none of! In the village, Husin reunites with the usual patrons of Pak Jabit's stall and everything seems to be as normal as it could be. However, what Husin doesn't realise is that there is a new breed of evil returning after more than a century of slumber to claim the village's long standing debt and Husin too of course!

José Martí, the Eye of the Canary

This historical drama, depicting different phases in the late childhood and youth of the so-called "Apostle of Cuba" José Martí, is most of the time a biopic full of commonplaces often found in this genre, directed by Fernando Pérez, one of the most respected names in Cuban cinema.

Something Out of Nothing

A famous metropolitan journalist decides to pay a surprise visit to his classmate Pancho in the countryside. Pancho has gone to town and his wife has to greet the guest. Under the curious eyes of the neighbors, the two are waiting for him to come back home. The awkwardness between them intensifies. How will they sleep under one roof? What will people say?

Die Walküre

The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)

Siegfried

Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.

Verdi: Otello

Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.

Carmen (Opéra de Lyon)

Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.

Lulu

Live performance of Alban Berg's opera at the Gran Teatre del Liceu, Barcelona. Inspired by "Pandora's Box" by Frank Wedekind, Lulu describes the social ascent and the demise of a deadly woman, driven by men to behave in murder, to her own. dead.

The Metropolitan Opera: Boris Godunov

Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.

Gounod: Faust

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.

Don Pasquale

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Prince Igor

Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”

The Metropolitan Opera: Così Fan Tutte

Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.

Massenet: Thaïs

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

Fantasio

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The Metropolitan Opera: Aida

The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.

Royal Opera House: Andrea Chénier

At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...

The Metropolitan Opera: The Exterminating Angel

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: Tosca

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

The Metropolitan Opera: Luisa Miller

Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.