Macbeth (2015)

Strange Object

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Six Plunderers

In a village named Saroja town there are six men who formed the group six of Hell. They perform a variety of crimes such as looting, raping and killing villagers to obtain wealth and satisfy their evil desires. After successfully accumulate wealth so much, they agreed to stop their evil activities and bring their own path by using the wealth. Because of their greed, the hell Six decided to make their last robbery in the village town of Tower. Lived there with his wife Masmera Tantari merchant. Tantari set up shop selling clothes and fabrics. On the night of the robbery, Tantari been out on important business.

Captain Bimse

7-year-old Anna is having trouble sleeping at night. She accidentally left her favourite doll, Sophie, at her family's holiday home, and Anna's parents won't drive all the way to the house to retrieve the doll. Just as Anna is wondering if Sophie feels lonely, she suddenly hears a strange sound. Anna is visited by a small yellow aeroplane named Zanzibar along with its crew: Captain Bimse and the co-pilot Goggeletten. With her trusted teddy bear Mr. Johnson in tow, Anna embarks on a magical rescue mission with Captain Bimse and Goggeletten to save Sophie.

Emerson, Lake & Palmer: Pictures At An Exhibition

ELP's performance of Pictures at an Exhibition filmed at London's Lyceum in December 1970. Bonus features include a 1971 appearance on the Belgian TV show "Pop Shop".

As Aventuras do Pequeno Colombo

To save the family from bankruptcy, Christopher Columbus convinces friends Leonardo da Vinci and Mona Lisa to go to a treasure island. On the trip, they are attacked by the Beast Nautilus

Celebrity Juice: Obscene and Unseen

Word t' ya mum! How do! Let me tell ya about the new juice DVD 'Obscene & Unseen', apparently there's over 2 hours of ALL NEW unseen stuff that was too rude t' be seen on’t telly, as well as all the best bits from Series Series 7, 8 and 9, this is the Juiciest DVD yet! That’s an exclusive! Nuff said!

Baptiste Lecaplain et ses potes : Le spectacle

Plot unavailable

Iberia

Adaptation of the suite "Iberia" by Isaac Albeniz. Documentary about the world of flamenco. The story arises from the music itself and those who interpret it: the musicians and dancers. The film recreates and reinvents musical pieces and merges classical ballet, contemporary and Spanish dance and flamenco

Medusa

An aquatic journey

The Monkey

In 1588, a castaway from the Spanish Armada, sent from Portugal by Philip II of Spain to conquer England, is captured on an Irish beach. There he is tried, declared guilty and hanged to death. All of this would be reasonable according to the laws of war and hatred among humans. The problem is the prisoner is a monkey.

Dewi

A transfer student named DEWI (17) who has a beautiful face becomes the target of boys at her new school. This makes ANGGI (17), SANTI (16), and RINA (17) feel jealous. The three friends decide to prank DEWI by locking her in the school’s haunted bathroom.

Step on the Gas!

Yūji, fresh out of prison on parole, meets a stranger named Nao that asks for his assistance...

Blown

Bobby and Karen are in love. When Bobby proposed, it should have been the happiest day of their lives, but their neighbor, voodoo priestess Esmerelda, has other plans. With the help of a mystical severed head, Esmerelda plots her revenge through the eyes of a killer blow-up doll.

Zoom Up: Graduation Photo

For a little extra money a college student agrees to pose as a nude model for a magazine. But she finds out too late that the magazine is a pornographic one. When it gets published it causes problems with her boyfriend who happens to see it. She is persuaded into do a few more sessions and each time the setups becomes more extreme. She begins to lose herself in heat of passion and doesn’t notice the camera is shooting when the action turns into the real thing.

Organic Mama Hybrid Alludu

Vijay, a failed but talented film director starts selling Kondapalli toys made by his sculptor parents to make a living. He falls in love with Hassini, the daughter of a rich landlord and a businessman Organic Venkataramana, who gets furious when he comes to know Hassini’s relationship with Vijay. When Munikonda offers Vijay a chance to direct, Vijay lands in desperate situation to prove himself to win over his dream, love and life.

Sakaratul Maut

At a time when Pak Wiryo found it difficult to die because he had a 'hold', the children of his first wife and second wife were fighting over the inheritance.

How to Stop a Wedding

A drama shot in 5 hours and 17 minutes, exactly the time it takes to travel by rail from Malmö to Stockholm. It's mid-winter. On a train a man and a woman end up in the same compartment. They have a typical conversation between strangers until they discover they are going to the same wedding. It's unimportant whether they got an invitation or are going uninvited. The important thing is that both have plenty of reasons to stop the wedding… It soon turns out that they share not only the same goal but also painful memories and romantic disappointments. This brings them closer together.

141 A.D. Mission in Dacia

Year 141 after Christ, in the Roman province of Dacia. An unusual appearance of a comet is observed on the night sky. The astrologers think it is a bad sign that will bring misfortune and death. In these frightening days, a deadly epidemic among cantoned soldiers spreads in a Roman fort (on the border of Dacia Province). Doctors are overcome by the situation. No one knows the cause of this disease and the number of deaths is steadily increasing. Four Roman explorers, led by the experienced Centurion Marcus - (along with his comrades Aquila, Tertius and Nerva) is sent by the commander of the fort - Prefect Cornelius Fulvius on a special mission to the unknown and unconquered territories beyond empire's border, those ruled by the Free Dacians, to find an unusual solution to this plague.

The Big Boss Part II

In the last "Big Boss" (AKA "Fists of Fury"), Cheng Chao-On was arrested after killing Hsiao Mi, "The Big Boss." In this unofficial sequel, his brother, Cheng Chao-Chun, visits his brother in Thailand, finds a job at the same ice factory that his brother worked at and avenges the death of their father.

The Tractate Middoth

The chilling story of Dr Rant, whose wicked streak continues from beyond the grave. Based on the festive ghost story by MR James. When a relative comes to find a particular book at the university library, young student Garrett is drawn into a family feud over a will and its legacy - with terrifying consequences.

The Magic Flute

During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.

Bellini: La Sonnambula

Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.

The Metropolitan Opera – Verdi: Macbeth

Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.

Strauss II: Die Fledermaus

Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.

Salome

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

The Abduction from the Seraglio

Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.

Rigoletto

In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.

Puccini: La bohème

"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.

Hannah and Her Sisters

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Operette

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

Lucia di Lammermoor

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Verdi - Ernani

Ernani is a gripping drama about love and revenge by Giuseppe Verdi. Written in his unique style it brims with poignant arias, rousing choruses and enthralling ensemble scenes. The rebel leader Ernani recognises his father's murderer in the Spanish King Carlo and seeks revenge on him. Both men love Elvira – as does old Silva whom she is to be married to ... Director Lotte de Beer and her set and costume designer Christof Hetzer devote themselves to the fictional plot which bears references to the 16th century. They demonstrate their rich scenic imagination in this production, conducted by Enrique Mazzola who “provides musically magic moments at the stand of the Wiener Symphoniker” (Schwäbische Zeitung). “Great singers, fiery music and an action-packed staging” (Allgäuer Zeitung). “A mixture of Tarantino’s ‘Kill Bill’ and Monty Python’s ‘The Knights of the Coconut’” (Deutschlandfunk).

Le convenienze ed inconvenienze teatrali - Wexford Festival Opera

Le convenienze ed inconvenienze teatrali (Conventions and Inconveniences of the Stage) is a two-act opera that shines an exaggerated spotlight on the behind-the-scenes working of a theatre and the rehearsal process, showing what can go wrong when the egos of the performers get in the way of putting on a good show. A regional (and mediocre) operatic troupe is rehearsing a new work and faces numerous obstacles. The prima donna acts every bit the diva, refusing to rehearse. The Tenor finds himself in the wrong production and quite out of his depth. The Seconda Donna’s mother (played by a baritone) demands that her daughter be given a more prominent role, before deciding to take on several roles herself. Not be outshone, the Prima Donna’s husband takes to the stage too. When the show eventually collapses and the company tries to flee under cover of night, rather than pay back all the investors (whose money has already been spent), the Impresario has other plans…

Birth

It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.

Farinelli

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Moonstruck

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

The Legend of the Invisible City of Kitezh

Opera lies at the heart of Rimsky-Korsakov's colourful idiom, but performances are few and far between; this realisation of his penultimate and grandest stage work is a very rare and special experience. Kitezh is known as "the Russian Parsifal", which encapsulates its mystical flavour and steady unfolding of a legend of redemption

Abesalom and Eteri

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

Cavalleria rusticana

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

Mefistofele

The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.

The Secret Lives of Dentists

An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.

Rossini: Il Barbiere di Siviglia

Part of the celebrations for the 150th anniversary of the death of the Pesaro composer, Il Barbiere di Siviglia staged in Lugano, is the result of a virtuous collaboration that involved Swiss Radio and Television, LuganoInScena and LuganoMusica. The musical part was entrusted to Maestro Diego Fasolis who, together with his Barocchisti ensemble, was involved in the project from the very beginning. Internationally renowned soloists such as Edgardo Rocha (who embodies the Count of Almaviva), Riccardo Novaro (Bartolo), Lucia Cirillo (Rosina), Giorgio Caoduro (Figaro), Ugo Guagliardo (Basilio) and Alessandra Palomba (Berta) performed on stage.

Donizetti: Lucia di Lammermoor

Lucia di Lammermoor, dramma tragico in three acts by Gaetano Donizetti (1797 - 1848). Libretto by Salvadore Cammarano, after Walter Scott's 'The Bride of Lammermoor'. First performance in Naples, Teatro San Carlo, 26 September 1835 Recording: December 23 2015 - Gran Teatre del Liceu | Barcelona Director: Fabrice Castanier Conductor: Marco Armiliato Orchestra & Chorus of the Gran Teatre del Liceu

Cosi Fan Tutte

An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.

The Metropolitan Opera: The Exterminating Angel

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: Tosca

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Claude Debussy - Pelléas et Mélisande

Drama lyrique in five acts, after the play by Maruice Maeterlink

Berg: Wozzeck

Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'

Alban Berg - Wozzeck

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.