Farmors leriga händer - En film om Lisa Larson (2025)

Mannen Henger

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I Needed Color

Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.

The Painter and the Thief

When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. This will be the start of a very unusual friendship. Over three years, the cinematic documentary follows the incredible story of the artist looking for her stolen paintings, while at the same time turning the thief into art.

Hinter dem Vorhang: Das Geheimnis Vermeer

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Namatjira Project

From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.

Quilty: Painting the Shadows

This fascinating exploration of the creative process follows one of Australia's leading contemporary artists Ben Quilty, as he completes one of his most challenging art works.

Hello My Dear

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.

Mondongo II: Portrait of Mondongo

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

Soup Cans and Superstars: How Pop Art Changed the World

Alastair Sooke champions pop art as one of the most important art forms of the twentieth century, peeling back pop's frothy, ironic surface to reveal an art style full of subversive wit and radical ideas. In charting its story, Alastair brings a fresh eye to the work of pop art superstars Andy Warhol and Roy Lichtenstein and tracks down pop's pioneers, from American artists like James Rosenquist, Claes Oldenburg and Ed Ruscha to British godfathers Peter Blake and Allen Jones. Alastair also explores how pop's fascination with celebrity, advertising and the mass media was part of a global art movement, and he travels to China to discover how a new generation of artists are reinventing pop art's satirical, political edge for the 21st century.

Herr och Fru Konst

"Mr and Mrs Art" - Getting attention is like being struck by the light of the sun, says artist Karin "Mamma" Anderson. If you are lucky you are hit by its rays for a short while during a lifetime, but the light is transient. Artists Karin "Mamma" Andersson and Jockum Nordström bathing in the light of fame. Few other artist couples in Sweden can compete with them in terms of attention and success. They exhibit at all the major galleries and fairs around the world, win prizes and are constantly in demand. Filmmaker Bengt Bok has followed the couple from studio to venue and talked about the conditions of creation and the sweetness and the taste of blood in fame and being famous.

Max Gimblett: Original Mind

Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.

Gauguin: A Dangerous Life

Gauguin’s vivid artworks sell for millions. He was an inspired and committed multi-media artist who worked with the Impressionists and had a tempestuous relationship with Vincent van Gogh. But he was also a competitive and rapacious man who left his wife to bring up five children and used his colonial privilege to travel to Polynesia, where in his 40s he took ‘wives’ between 13 and 15 years old, creating images of them and their world that promoted a fantasy paradise of an unspoilt Eden in the Pacific. Later, he challenged the colonial authorities and the Catholic Church in defence of the indigenous people, dying in the Marquesas Islands in 1903, sick, impoverished and alone.

Always Forward

Plastic artist Aparicio Arthola talks with his student about the catarsis in his creative process, the loss, death and uncertainty of art life in Nicaragua

Renoir and the Girl with a Blue Ribbon

This documentary follows three parallel stories. First, that of the masterpiece, The Little Girl with the Blue Ribbon, this melancholic Renoir work with the "musical face" described by Henri Michaux. The painting was constantly tossed around, shelved by its patrons, looted by the Nazis, found by the Monument Men, recovered by the family, sold to a controversial collector, before finally arriving at the Kunsthaus Zurich. We also discover the painter's biography, and the eventful life of his model, Irene Cahen d'Anvers. Born into the Jewish upper middle class, this free and divorced woman long disowned the painting and left it to her daughter, who was murdered at Auschwitz. Discover the tumultuous journey of this painting, its model, Irene Cahen d'Anvers, and its connection to the dark hours of the Nazi regime.

Picasso Metamorphoses in Blue and Pink

In Pablo Picasso's career, a blue and pink period gets the attention they deserve. It is between 1901 and 1907 that the seeds of all his future work lie, for it is then that Picasso turned his back on his father's teachings and broke free from academic constraints and himself at the beginning with everything that crossed his path. This documentary takes a look at Picasso's various metamorphoses, shaped by a struggle between zest for life and dark thoughts. A world shared by his friend Jaime Sabartés, who wrote it in a collection of memoirs. Art documentary (2018) by Gaëlle Royer.

Lamp

Short documentary of David Lynch building a lamp.

Les vendredis d'Apostrophes

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

Rothko: Pictures Must Be Miraculous

Mark Rothko, a master of abstract expressionism, created 835 paintings during his five-decade career.

Achieving the Unachievable

M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?

Segantini: Back to Nature

Giovanni Segantini rose from humble origins to become the most important of Italian pointillists, and one of the most important symbolist painters in the 19th century. This film focuses on his way of feeling nature as a source of artistic and spiritual inspiration.

Ron Athey Is the Trojan Whore

In this documentary Kerkhof takes the viewer into a bizarre underworld, the sub-culture of blood art and body piercing performance art. Kerkhof's camera registered a performance by the American blood artist Ron Athey which took place during the FREAK ZONE festival in Lille, France in May 1997. The camerawork is so freaky one would almost suspect it is under the influence of heroin. The film includes interviews with Athey as well as shocking live fragments wherein Athey works his face over with injection needles. The crazy, maniacal clamour of the HIV positive priest/performer gives us insights into the motives and goals of this group of masochistic performance artists. Somebody who entertains his audience by cutting and stabbing himself; is this art? Who can say? What is beyond question is that Kerkhof's masterful use of the camera and editing not only obscures the images but also the boundary between art and unbearable filth.