Still Nature (2025)

Raised by Krump

“Raised by Krump” explores the LA-born dance movement “krumping,” and how the dance has helped the lives of some of the area’s most influential dancers.

The Uninhabitable Ones

A dance group rehearses for their latest performance Inabitáveis about black homosexuality. While the choreographer conducts research and gives guided tours, he meets Pedro, a young trans girl looking for her own means of expression. She desperately wants to be taught by him.

Little Ballerinas

Ida, Olympe, Jeanne and Marie dance to the music of pianos, symphonies, contemporary pieces… in ballet school studios, in the streets, even in their bedrooms. They are between 6 and 11 years old. Very fond of each other, they film themselves, comparing and giving one another support. They also tend to annoy one another, are at times envious, even rejecting each other. What is it like for a little girl to grow up in a world of intense professional and competitive dancing? Closely following the emotions and dilemmas experienced by our young characters, this film explores and probes into a territory that we’ve all navigated, though many of us have forgotten: childhood.

Rize

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

G(ode)ard

An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Madonna: Truth or Dare

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Portrait of Penge

Film about the town of Penge featuring local personalities, housing, shopping, traffic and the Penge formation dancers.

Life in Progress

Plot unavailable

Vertigo

A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the whistle and attempts to steal their glances. Steps are broken and transform. A new glance replaces the old.

bleared eyes of blue glass

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

Maurice Hines: Bring Them Back

Maurice Hines -- actor, director, singer, and choreographer -- navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

Flamenco

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

The Beaches of Agnès

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Dream of the Wild Horses

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Kasama Kang Tumanda

A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.

Anerca, Breath of Life

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

winter, my words immure

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.

Divine Horsemen: The Living Gods of Haiti

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

And The Heads Keep On Movin

Plot unavailable

Fools Gambit Morris

A short film exploring the joy and importance of Morris dancing for a group of young people.

Darcey Bussell: Looking for Fred Astaire

Documentary in which Darcey Bussell profiles Hollywood dancer Fred Astaire, marking 30 years since his death.

Five Days to Dance

A couple of dancers appear one morning in a High School. It's Monday and they announce to a group of youngsters that they have five days to get up on stage and dance. A short time but a big challenge. The dance compels these youngsters to break through their roles exactly at the time of their lives when the social roles are being forged. The handsome boy is no longer the most admired, the timid one takes a step forward. Wilfried van Popple and Amaya Lubeigt are the choreographers. Professional dancers who have decided now to work with people who have never danced before. This is the challenge: five days, a class of teenagers, a microcosm in which occurs a little big bang.

Bye

BYE (AJÖ), a new dance film, is choreographed and directed by acclaimed Swedish choreographer Mats Ek. " About a woman (Sylvie Guillem) who takes leave of a certain stage in her life. It is a conversation that she has with herself that leads to new experiences.

Danser sa peine

Plot unavailable

Madeleine

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

Von Trier's 100 Eyes

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)